Effective Vehicle Design assignments
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I'm doing the Effective Vehicle Design class now. These are my pictures for Assignment 1.
Actually, I tried to start this course in 2020 and I can really feel the difference that doing the classes on gesture and perspective has made. I still don't know much about car anatomy and my drawings are rough, but I can draw a lot more efficiently anyway. At least, I didn't get overwhelmed and stop like last time.Assignment 1A -- exaggerating the same car in different ways.
Assignment 1B - drawing different stances.
Assignment 1C - choosing angles
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Assignment 2 - I chose Santa Claus as my character, and imagined there could be a scenario where the reindeer are out of action for some reason (maybe on strike), so Santa has to make use of other vehicles to transport the presents.
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@lucy_gow your ideas are really funny! I just would point out that the perspective in some vehicles are off, I think you could try to keep the form with symmetry even if it has that kind of gesture
but I haven’t seen these videos yet so I’m missing all the content of the video to have a proper opinion. Sorry -
@Eliana-Bastidas Hi. Thank you, don't be sorry! I'm actually really bad at telling when the perspective in a drawing is off, so I appreciate people pointing it out. It reminds me to work on it. The videos didn't say to make the perspective bad.
But I was concentrating so hard on thinking of the designs, I forgot to draw properly.(This reminds me how one time on the Three Point Perspective podcast when they were discussing why some people have an easier time learning to draw and they talked about dexterity and things like that. I thought how my own problem is not that at all - it's totally my mind. I can't think about very much at one time AND remember what I'm trying to draw. I wonder sometimes if I'm the only one like that.)
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@lucy_gow It's something normal, we actually are really bad at multitasking. When somebody can do multiple thinks at "the same time" is because we are masters at it and do them without thinking and have the time to focus on what's important.
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Assignment 3 - combining different references for boats.
I found this very hard. I know nothing about boats, so they all look the same to me! I combined reference pictures of a duck pedal boat with a paddle wheel boat with the turtle boat (거북선) (very very loosely). Not sure how this boat would go really.
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@lucy_gow Looking great! I just would be a bit picky about the structure of the actual ship. Ships don't usually have a flat front to avoid friction against the wind, and I think you should try to attach the head of the duck to the structure of the ship. Imagine a big piece of round wood attached to only a portion of the ship, it will fall off really quickly.
Hope this help!
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@Eliana-Bastidas Thank you. I like your draw-over. It's very convincing! For this drawing, I was a bit superficial – I was combining elements of different boats (a plastic novelty boat, a boat with paddle wheels, and a famous Korean turtle boat) but I didn't really think about how it would work.
The Korean boat (turtle boat) was why I made it flat at the front - it was flat-fronted, but I didn't realize why. Apparently it was a battleship and they made it flat so that it could ram other ships. It had a dragon head on the front, which had a cannon inside that shot out of the dragon's mouth, but now I look more carefully, I can see how it's placed higher and wouldn't get in the way of ramming.
I guess I should have read that earlier – I would have put the duck up higher and connected it differently, like the dragon on the turtle boat. But this was just an exercise so I didn't give it that much thought until you pointed out that it was unusual to be flat at the front.
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Assignment 4: getting creative with vehicle design
I cheated a bit with the thumbnails. I was feeling a bit low and not very creative, so I drew the thumbnails while looking through an animal encyclopaedia. So, they were mostly inspired by the shapes of the animals, rather than from pure imagination. Looking at a picture of an egret, I liked how it folds its neck while flying to be aerodynamic, and thought it would be nice to draw a spaceship that folds up somehow.
These are some sketches I did looking at objects around the house. Again, I liked objects that transform in some way.
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Assignment 5: aircraft
So, I decided to draw a kind of spaceship that's shaped like a bird, with a neck that can extend. Sort of a mechanical arm that flies. I imagine it is a repairer-robot. So quite small, and it fixes things on airships. It has a little compartment on its front where it keeps tools that it can attach to its beak.
I drew two pictures of it, to show its different forms.
I probably could have done a lot better (I mean if I was better at drawing), maybe made the neck have another hinge, but this is as complicated as I can manage right now.Actually, I thought this was the final assignment. I spent a fair bit of time on it and coloured it in (roughly). But it turns out there is one more!
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@lucy_gow I love this work. I think you are going to be really successful if you keep putting so much time, energy and effort into your art study.
I finally got back to Introduction to gesture and finished that, and also finished posing characters which I had done almost all the exercises for and did all the exercises today for Stylizing human characters. -
@PenAndrew Thank you. I feel like I am very slow and sometimes find it hard to stay optimistic. So, I really appreciate that. It sounds like you have been putting in a lot of work lately! That's fantastic progress.
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@lucy_gow You are welcome and you should feel better about your work, I have been watching your progress through the courses and you have produced a lot of quality work from the beginning.
Yes, I am finally on holiday so I am able to complete stuff at last, I put the assignments courses on hold and just watched demos and lectures or courses with no assignments like Drawing comics and robots and machinery, while I was busy with teaching.
I have not done the appealing character course yet as i have a mental block with that! -
@lucy_gow Are you not happy with your progress?
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@PenAndrew said in Effective Vehicle Design assignments:
@lucy_gow Are you not happy with your progress?
I'm cautiously hopeful that this year I will finally make some progress towards making a decent portfolio. However, I've been trying for over ten years, after already failing at a previous career (as a mathematician) and pursuing various failed attempts at learning skills in order to get other kinds of work.
A few years ago I attended a children's book conference and had my portfolio assessed. I was not good enough to get work yet. It seemed I shouldn't quit my day job, but at the time I couldn't even get a day job! So, I trained as a teacher and I'm only finally settled in my work enough to try to develop my illustration skills again. (I tried full-time teaching but it was too much, and now work as a substitute teacher.)
At this rate, I will run out of time before I get anywhere. But at least, I feel like I am running out of ways to fail, and I'm confident that this is something I would love to do. Even if it is only to be able to draw well and use that for my own personal projects.
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@lucy_gow Try not to be disheartened, and remember art has to be for yourself first and foremost. I understand your feelings about failure I have had similar results after 2 courses at college, but I think the more you work on yourself the more progress you make, I almost gave up this year. The closest to thinking it just isn't going to happen at all. But then I worked through my feelings and joined SVS and feel like i am really making progress and everyone keeps saying so in my small circle.
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@PenAndrew @lucy_gow Oof! I absolutely relate with both of you. I've tried and given up on so many things, some because I didn't enjoy them, but most because they got to that horrible hard stage (training to become an aged carer, studying disability rehabilitation, learning Chinese Mandarin to become an English teacher overseas, running a knit/crochet design business, attempting to create products for Etsy, Amazon KDP, etc, etc). It can be so easy to look back on these "failures" and tell myself I don't have what it takes to complete a book illustration project - or to even get the gig, for that matter!
But drawing is something I can't give up on. I haven't yet found my confidence or my groove, but I'm here in SVS soaking everything up like a sponge. I'm relying on the Critique Arena deadlines to get my portfolio growing (currently at zero), and it's really nice to know I'm not alone.
PS: I've been lurking this forum topic and I'm really impressed that you've gotten so far through the assignments for this course, Lucy. Actually, your work in general is super inspiring, and I just saw you're a fellow Aussie! Haha, I'll definitely be keeping an eye on you and cheering you on ^_^
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I can relate a lot to this. In my family, being an artist was synonymous of being poor and barely have enough to eat, with that kind of mindset I ended studying engineer at the university; of course, after trying a ton of courses and stuff before going to college... when it could had been an easier choice from the beginning.
When I was at my lowest in venezuela, it was doing art commissions what kept us literally alive because it was our only source of income.
Now I realize that to be good at something you have to put a lot of work to it, and to be able to put a lot of work to it you have to feel motivated to do it because it’s something that you find enjoyable and it makes you spend a lot of time on it without realizing it. So, as far I can see you already got most of the work done! You just need to hang on it and keep going.
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@Eliana-Bastidas Yes it sounds like you've had a tough battle. To be an artist and to accept oneself as an artist and to value oneself as an artist is not an easy thing to do. I have been trying and struggling with this my whole life.
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@Meekipink I guess it is good to eliminate what isn't you. Vesper Stamper was saying in Jump into the studio she took 20 years to realise that she was trying to work in the wrong genre of children's books(i believe-don't quote me) and now she works in Young adult books, both writes and illustrates them, and she's a super talented person. So, everyone struggles! We are no different to the professionals in that we must all follow a similar path, and those that make it through the weeds and tall grasses and swamps become successful.
