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    Girl and Light WIP

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    • A
      andrewcolinbeck last edited by

      Nice job - I feel like with such a direct light source, the values would be much more pushed... meaning the lights would be lighter and the darks would be darker. Of course it matters what type of emotion or message you are going for with the piece—but yes, deffinetly use more contrast to make the piece more powerful (and realistic).

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      • Jordan Peterson
        Jordan Peterson @andrewcolinbeck last edited by

        @andrewcolinbeck Sweet. Thanks!

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        • laurencrest
          laurencrest last edited by

          I would push the contrast and focus on cleaning up the edges. The colors in this piece seem to bleed together and separating them out will help pull the piece together.

          laurencrestillustration.com | facebook.com/laurencrestillustration | laurencrestillustration.tumblr.com | https://plus.google.com/+LaurenCrestIllustration | instagram.com/laurencrestillustration

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          • Jordan Peterson
            Jordan Peterson @laurencrest last edited by

            @laurencrest Right on. Thanks

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            • natiwata
              natiwata SVS OG @Jordan Peterson last edited by natiwata

              @Jordan-Peterson I've been messing with skin tone and lighting a lot lately so I thought I'd offer up a little paint over. Hope it helps!

              girllighting.jpg

              Nat Iwata
              www.iwataillustration.com

              Jordan Peterson 1 Reply Last reply Reply Quote 1
              • Russ Van Dine
                Russ Van Dine last edited by

                The cheeks, the nose and the top of the ears would catch a bunch of light. the nose would catch the most... it is really coming along...

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                • Jordan Peterson
                  Jordan Peterson @natiwata last edited by

                  @natiwata It's not plagiarism if I steal your paint-over....is it??? haha That looks awesome!

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                  • Jordan Peterson
                    Jordan Peterson @Russ Van Dine last edited by

                    @Russ-Van-Dine Excellent! I'll keep plugging away

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                    • Lee White
                      Lee White SVS Team SVS Instructor Pro SVS OG last edited by

                      I think Nat is offering some great suggestions. I did a paint over on top of his paint over. Something about the eyes wasn't sitting right with me. Don't forget that even in stylized work, there is still form and all of the image must conform to the rules you set up. In this case, it's stylized realism kinda like a pixar movie, etc. So just use the regular rules of light and form and it should be pretty easy. Check out Ty's hair video if you can. Your hair here is a bit stringy and needs some flow. Covering the ear would probably help too.

                      Hope this helps some. : )
                      1459581306110-girllighting.jpg

                      SVS Faculty Instructor
                      www.leewhiteillustration.com

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                      • Russ Van Dine
                        Russ Van Dine last edited by

                        I like the warmth added here... it takes the story a different route maybe... the white seems cold and attacking,t he yellow seems like the surprise is for a good thing...

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                        • Jordan Peterson
                          Jordan Peterson last edited by

                          I want to thank everybody again for spending time on this thing to help me out. I've learned a lot from your comments/paint-overs. As I mentioned above, I hadn't yet painted the hair or anything else besides the face with the first go around, but figured I'd post the latest milestone as I'm nearing the finish line. friend2.jpg

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