Working on my Realistic Digital Painting

audrey dowling

If I were you, before continuing on the bird, I would work the background a bit more. if you look at the photo, it's a bit lighter than yours and there's some kind of a really light halo around the bird, as well as a soft reflective light. it would allow to soften the edges of the bird as well as changing the values and colours relationships in your painting

Chip Valecek

@Shams-Nelson I usually keep the brush at 100% opacity and let the pen pressure do the rest.

mattramsey

@Shams-Nelson Perfect!

Now do a study of that exact piece --I promise you you will learn a ton and be a lot closer to your goal!

I'd love to see the results!

Shams Nelson

@audrey-dowling Awesome thanks! That's some very actionable advice. Softening edges is something I have very little practice in so it should be a good challenge.

@Chip-Valecek Ok cool, thanks for the insight

@mattramsey Gah! I used to hate doing master studies in art school, but I'm sure you're very right. Ok, I'll have to put that on my agenda and post the results.

MOO

Beautiful! Really beautiful! I'm impressed.

Shams Nelson

@Marsha-Kay-Ottum-Owen Why thank you!

mattramsey

@Shams-Nelson said in Working on my Realistic Digital Painting:

@mattramsey Gah! I used to hate doing master studies in art school, but I'm sure you're very right. Ok, I'll have to put that on my agenda and post the results.

Hmm, why is that? Too hard or did you feel like it was a waste of time (like: you would rather be doing your own) or something else?

Just curious because I've never really heard someone mention that before.

Shams Nelson

@mattramsey yea, takes a lot of time and I usually didn't learn too much, mostly because of my mindset of just wanting to get the thing done probably.

The reason i like making art is to create things from my imagination. Give those things form. Or else to explore and see what happens. Master studies don't really have those aspects and even if I were to get it perfect I'd think... so what? They already did it. I haven't contributed anything new....

mattramsey

@Shams-Nelson I definitely get where you are coming from regarding not contributing anything new and wanting to create from your imagination.

But i guess i don't really understand not learning anything from master studies. I don't mean this to sound combative but: maybe you aren't doing it right?
I mean, if you were able copy it exactly then presumably you will have gone through most of the steps the original artist did an you should have learned quite a bit. That's not to say you'll know perfectly emulate the style on your own but doing many copies from that artist will get you closer every time.

It's probably not for everyone and I'm sure there is value in slogging through the process of doing everything on your own but I just feel that master copies are such a powerful learning tool.

Dulcie

I'm coming to the conclusion that doing master studies is a bit like being Rogue from X-Men....you don't actually become the artist you're studying, but by going through the process you absorb some of their powers.

And if you do that enough times, with enough artists where you'd like to achieve the same quality of work, then eventually you'll do just that.. That's the plan anyway