@Eli I was surprised and a little confused the first time I saw one in my neighborhood. Walking right down the middle of the street.
Like Lee said what at first glance I took for a dog just didn't look "quite right" then I realized what it was. Been catching glimpses of them on my neighborhood runs for the last couple years. But was a little intimidated couple nights ago when I heard at least 5 of them howling up a storm in the wooded greenbelt near my house!
Of course I'm also seeing a ton more rabbits and deer on the trails so I suppose it makes sense!
Jeremy Ross last edited by
Me too @davidhohn!
Julia last edited by Julia
My take is not the coyotes, it is the roadrunner! I always thought it was an imaginary bird made for the intetest of the cartoon. What a shock!
Eli last edited by
@davidhohn They are moving into urban areas and are pretty successful. They are just fascinating--highly intelligent and adaptable, and also brilliant at hiding in plain sight or staying JUST out of sight of humans. I have seen footage on a night vision camera of someone taking out the trash in a suburban neighborhood. A coyote was right behind them the whole time--silent and moving fractionally to stay just out of sight. The human never had a clue! I personally love to see them, although if they surrounded my dog like in Jake's story, I would DIE.
I thought this was a really good podcast and will probably listen to it several times. I wanted especially to thank @Will-Terry for his comment about his dependence on an audience. As an amateur, I think about this a lot because it seems like if I’m doing art for personal pleasure I shouldn’t have to worry about whether anyone else likes it but I find that doing art without an audience isn’t very satisfying for me. Will’s question of “Would you do art without an audience?” Is worth a whole podcast.
lpetiti last edited by
I thought this was a very timely podcast in my own life, so thank you for speaking on this! I'm definitely burning out as a high school art teacher. In a "normal" year I'd be taking a mental health day about this time, however in the Distance Learning environment it's a LOT harder to take time off from work. Not only that, I'm dealing with a muscle injury that prevented me from drawing during Inktober, so I've definitely been discouraged. I so wish high school teachers could take sabbaticals like college professors do, so that I could focus on refreshing...this is actually the first year I've even considered quitting my job and taking care of my (future) family someday.
xin li last edited by
I first heard about the sabbatical year was from the graphic design Stefan Sagmeister. He had a Tedtalk in 2009 about his experience during his sabbatical years.
Mesa Schumacher last edited by
Great podcast, love listening to your candid and helpful thoughts on illustration! Just have to speak out in the defense of museum illustration, which was carelessly discarded as a boring recipe for burnout! I'm at SVS to work on my narrative illustration and enter some new markets, but I've been deliriously happy as a working science illustrator for over a decade now. Museum illustration can be illustrating artifacts, specimens, or concepts for education, academic publication, or talks. It can be designing exhibits, web illustration, and reconstructions. These are often sought-after positions filled by incredible artists. Tangentially, there is so much work out there communicating science to experts and the public, and it can require a lot of visual narrative skills as well as understanding of a diverse set of topics. For anyone interested in telling stories of science, don't knock it. It is a quirky, specialized area of illustration, but for the right sort of person, it is never, never boring.
jsnzart last edited by
Yep, had to stay for the bonus stories.
We don't get coyotes here in Japan, but I love seeing other wildlife here.
I really needed to listen to this podcast.
Thanks heaps guyz!
Joen Söderholm last edited by
I listened to this podcast back in November and was going to write something in this thread. But, ironically, I felt too burnt out to do it when it turned out I didn't remember my password for this forum, needed to confirm my email and stuff like that.
I spent a long time working two jobs and then illustrating books in the evenings. Which was exhausting of course. And I guess I borrowed energy from my future self, because now I can't imagine having the energy to do that for even a week, and definitely not over a year. So this episode definitely resonated with me. Especially the part about losing motivation.
Those books I worked with during that time were finally published last year. And then... nothing much happened and it felt like no one really noticed them. People were too busy worrying about the pandemic to care much about children's books. And part of me felt that it was all a huge waste of time and that I had burnt myself out for no reason. And it's difficult to work up the motivation for new projects when you're feeling exhausted and also always have that part of yourself that thinks that there is no point trying.
So quite the struggle, and I don't quite know where to go from here. But it feels positive that I haven't lost the love of illustration - just the motivation for larger projects.