@jthomas For sure, the 30's is a prime time for artistic growth. Speaking for myself, my art at 20 something looks a little silly. I drew random stuff that had no real meaning or purpose. I think an artist has to tell a personal story in order to grow and to gain an audience. Drawing a cool looking "thing" can only get you so far. I've learned this fact the hard way 
Hi All!
I just wanted to add to everyone else's gratitude for these podcasts! Will, Jake, Lee and everyone else that helps bring SVS to us – you do a fantastic job so thank you sincerely!! These are another great addition to this resource and community!
This podcast really hit the nail on the head for me... I'm 35(!!!), fell in love with drawing a couple of years back, and have been feeling more than ever drawn to creative industries having until now gone down a science research route. Much like some others here I took some notes during the podcast and am working on my plan! It's amazing the feeling you get when you actually have something to aim for written down in front of you rather than just floating around in your head – the crazy mix of excitement and trepidation!
I'm currently working on a list of artists – sorting through the multitude – to pick just 5 that I hope will help me towards my goals. Once I have decided, I was thinking to post the list on the forum to get feedback whether these would be suitable as I don't want to fall into the trap of picking artists that aren't suitable for whatever reason.
Also, on my to-do list is find someone or a group more local (in the UK) to maybe meet up with once in a while and go through things in person... Anyone up for an SVS UK chapter?
As an encouragement I've been reminded of something my music teacher would tell me – if you're playing as part of a band make sure they are better musicians than you as whilst it can be somewhat terrifying it's the best way to improve!
Hope everyone has a great weekend!
— James H —
@holleywilliamson Thanks so much:)
@jaepereira I'd like to see what yuo entered! Sounds like you're doing pretty well.
Marsha Ottum Owen
@jamesh I used to be a medicinal chemist - worked in research for more than a decade! I’m not in the UK, but maybe there’s space for an „European“ chapter? @LauraA @Dulcie @Leontine and all other old continent people on SVS - could be fun to meet once, maybe at the Frankfurt or Bologna book fairs...
I'm in my thirties and only started working digitally in 2016. I had financial restrictions that pulled me back but it cheers me up to see my progress over 2 years. It will take time to fully master my new tools and get a well-rounded portfolio out there. 1 foot in front of the other 
I totally agree that you need a mentor. a compass that shows you north.
I would add health to the list of things you cannot sacrifice. I'd sacrifice a job in a heartbeat but not my health.
I've started my serious art career eight years ago (age 39). Its changed my life completely. I feel like I finally really am alive! I am just starting, but who cares about age? perhaps its more easy for younger people, but I am very motivated, thats what I lacked when I was younger. I guess I thought I was naturally talented. When I found out that my art was not good at all, I decided to change attitude and work hard to become better.
@smceccarelli That would be awesome! Ill probably be there this year. Lets try and meet up!
@marsha-kay-ottum-owen http://forum.svslearn.com/post/44537
Hi everyone. I am 45 and listening to this episode made me decide to take a path I had got off of a long time ago. It was so inspiring, I really took the things said to heart.
After secondary school (1 million years ago) I did a foundation course in art and a diploma in graphics and advertising. I had always drawn and painted, from tiny, all the way through school but lost some interest when it came to higher education, so I took a short course in something I thought I could get a job in and then go back to illustration. Well, I actually got a job as an art restorer and loved it so have spent 24 years doing that (I don't regret not following the illustration path at that time at all btw) while drawing and painting on the side (not seriously, hobby work, sold a few bits). That career is now winding down for me and after much soul searching I realised I wanted to give illustration a serious go again. I found the podcast as I was going through this process so I took it as a sign and signed up for the course to help me get started. I plan to work through the phases outlined in the podcast, build up my skills and porfolio and in a couple of years apply for a masters in illustration online course that the University of Falmouth run. I am posting this partly for accountability, partly because I am keen to immerse in the process and the SVS courses. So, hi!
I already posted to this but I'd like to add that most of you, compared to me, are still quite young. In my eyes you have so many years ahead of you! I went back to school and got an AA in Art at the local Community college when my son joined the army. It was a good way to stay occupied. I was amazed at what I good student I was Maturity makes a world of difference At the time I had kids that were going to the college at the same time I was, that was kind of cool (not for them so much ) I remember thinking I shouldn't be spending money for school when by the time I finished I'd probably be ready to retire (I think I was about 55 then). A wise older woman said to me, " You'll still be ready to retire even if you don't go." In other words, you're going to get older anyway, you might as well learn something and enjoy it. I also felt pressure (self-imposed) to be successful and earn money since I spent money for my education but, I have come to the point that I will do what I do because I want to-not for money-besides I really don't want that kind of stress at this time of my life. However, I do want to be as good as a professional before I die In the meantime, I enjoy being here and love to be connected with all you wonderful creative people. Slowly but surely I am progressing and I love watching the progress of so many of you. I'm rooting for all of you, young and old!
I had no idea Yuko Shimizu was such a hot illustrator. I watched an inking tutorial she did a while back and thought it was great, but I never went to her site. She has worked for about every top publication out there, yet she's so down to earth. I think age has nothing to do with it really. It's about loving something so much your just driven to do it .
I spent all of my 20s bouncing around various jobs (art framer, blacksmith, high school art teacher). Two years ago I took the plunge and decided to transition into full time illustration. I'm now 33 and scraping together a living as an early career science illustrator (currently working a 6-month contract for the lab of ornithology). I found this episode really encouraging and validating, as I took many of the same steps you mentioned in your "phases" while working a full-time teaching job. I also really appreciate the statements to the effect of "How much do you want it/what are you willing to sacrifice" because they land very close to home.
Questions I'd love to hear you address further that tie into this episodes topic are:
1.) Do you recommend getting hyper specialized or being a generalist? I have had a lot of luck so far having a generalist approach in my field (science illustration), but you guys sound pretty specialized in your approach - for example, you all seem to be proponents of knowing where you want to be even as early as your first year/phase 1. The reality of needing a job has sort of forced me to bounce around a lot (from museums to publications, from paleoart to ornithological illustrations, etc...) My strategy has always sort of been "apply for everything and choose your best options."
2.) How do you deal with "imposter syndrome" in your early (or even mid/late) career. I liked (I think it was Lee's) four rules of "are you good", but I still find myself struggling despite meeting those criteria. I've heard from a lot of colleagues in similar stages of their career that they are struggling with this as well. Any thoughts would be appreciated.
Loving the podcast, and I've shared it with both my colleagues and former students!
Great podcast!!
I had a question about the master copy segment. A few of the artists in my top 5, also produce a lot of sketches for their work. Would it be a good idea to copy these works?
Second, and I think I know the answer, does the master copy you've chosen news to be produced in the same medium as the original?
@jake-parker This podcast was a great encouragement and reminder that it's not too late to get started, or to improve on what I'm doing. I've been freelancing for 11 years now, and I'm an okay artist but a sucky businessman. You guys have inspired me to lift my game. As soon as I finish my university degree this year I'll be signing up for your SVS Learn classes. Thanks for all that you guys are doing.
I haven't listened to any of the podcasts yet (rectifying that in a minute) but I feel like you started these at the perfect time for me. I have just finished my first year as an illustration and animation student at uni. I'm 41 and although there are other mature students in my class I'm the only parent - I have a friend in the second year who is also a parent both of us single parents so we have kind of clung to each other as this year ended in a massive roller coaster of emotions for both of us. Although I am 20 years her senior we have both felt at times that we were kidding ourselves and that we couldn't do it. I've come out the other side loving my first year, emotionally drained, feeling like I've learnt loads but at the same time feeling like I know nothing at all - hence my slinking back here to make better use of SVS than I have over the summer.
Whenever we went into the software classes (they use Photoshop, Illustrator, Dragon Frame etc etc) I really felt my lack of knowledge - I went in thinking Adobe just did some kind of something with PDF's - now I find out they rule my world and I am some kind of slave to all the mumbo jumbo. (Us older ones would grab a teenager to sit next to us in class)
So in advance, thank you for these podcasts - I'm now going to re-sub and actually do the classes - I want to strut in throwing around my PS knowledge in September rather than blubbing that I don't know how to turn on the damn Apple machines. (PC user all the way here)
Am I to old - I certainly feel it at the moment but am loving it all the same. Determined to get there (although where there is... I haven't decided yet!)
I may be back once I've listened to the podcast
Guys, this post was great. I took particular interest in it since I am 41 and have been seriously pursuing illustration for the past 5 years thanks to the help and advice of you guys every step of the way!
5 years ago I had a degree in Graphic Design and a life-time love of comics and drawing, I had been out of college for some time and after working for a few years had settled down at home to begin raising our family as a stay at home Mom. Even then I began getting my post cards ready to send out and even sent set, but I pretty much knew that my work wasn't ready. I laugh now just thinking about it because I know much more now than I did then about what is needed to be pro.
Anyway, then I spent the next portion of my life pregnant and with babies and toddlers and no sleep....bringing us to the point 5 years ago when I discovered you guys one at a time and immediately started following all your advice.
I also began reading every book I could get my hands on about productivity, creativity and getting things done. I read Seth Godin, Austin Kleon, Jon Acuff. I read about Small Wins and Willpower and Deep Work. I did everything ya'll said. I entered the third thursday contests back in the beginning, I got Will's tutorial back when you had to get it on his website. I watched all of Jake's youtube videos and I did the 100 things project (with mice) I took the Children's Book Illustration class, I got to the point where I could draw every day and fill multiple sketchbooks I made progress charts and I learned to ship. I completed inktobers the last couple of years and made one into a coloring book that I sold to all my friends. I’ve made calendars, and last but not least I finished my dummy book for my children's book that I have worked on and started over and worked on again since all this began.
All that to say. I have doubted myself the entire time, and still do, but I keep putting one foot in front of the other and move forward. I am still not to the point where I can do it all well, but I am so much happier with my work now than I was 5 years ago.
The best part of all is that I know how to work. It’s not about producing one good piece now and then, it’s about being so comfortable with the process that you can just jump into projects whole-heartedly without fear but with excitement instead and then work your way out of them till there is an actual finish. This is worth gold. I’m so happy that I know I am capable of ‘shipping’ now and that I don’t treat each thing as precious and handle it gingerly and then drop it from all the doubt and fear I feel in the process.
I still don’t consider myself ready to go pro. I still have a very small handful of followers on instagram. I still have who knows how far to go before I have any “success” of most people’s standard. But I am trusting that If I could come that far in 5 years then in 5 more with tons and tons and tons of work, I will have something more tangible to show for it or maybe I won’t, but you sure won’t be able to say I didn’t try with every ounce of strength I had!
LOVE YA’LL!
Misty McKeithen
PS Check out my Mermay series on Instagram @misty_mck
Firstly, I love the podcast and I think it's a perfect transition from 3rd Thursdays! I really liked this topic because I'm a very young and green illustrator. I'm only 20 years old and about to start my final year of art school! I felt like starting in high school was too late, can you believe that?
Hearing you guys talk about this really puts my journey into perspective. There are no excuses for me! I loved hearing you talk about the life experiences of people who start much later adding tremendously to their work. I've noticed that some artists my age (and younger!) may create beautiful work, but it's conceptually or emotionally mediocre because we lack the experience to back it up. I constantly struggle with this and try to remember that the story/message is the heart of it. It's easy to get caught up in the need to get better and better technically, but then what are we trying to say? If we have no life, then our work has no life. I also didn't know that Yuko Shimizu started so late! She's amazing!
This topic also lets a lot of self-inflicted pressure off. It's not a sprint. I'm in this for the long haul. I've got my whole life to do this! I get to do this my whole life as long as I can pick up a pencil.
Thank you so much!
Just want to say, I too am 38 getting back on this horse. I have not legitimately picked up a pencil to draw in almost 20yrs. I have fiddled with programs halfheartedly making logo's, custom UI for a few games... custom textures here and there. Things for little mods. Deep down I've always wondered.. what if I gave it it a real effort. I'm at a point in my life where I have 4-5hrs a day, I can devote to something, and the money to get the tools and lessons for the first time. So here we go. Fundamentals it is. Line, lines, circles and squares.
Jake your Youtube Videos are what got me to sign up and try this out. I don't know if I will ever do anything professionally, right now, I'm just grabbing the horse and holding on for the adventure to come.
@lady-chamomile I don’t have much experience, but from what I’ve seen and been told, if you don’t really fit into more ‘traditional’ art paths, it might do well to start your own thing.
My best friend wants to make graphic novels, so she got her feet wet with a webcomic and it started generating money. Not enough to live on yet, but she’s getting there. My other best friend has gotten some niche freelance sculpting jobs that most people probably wouldn’t have because she’s interested in certain fandoms and creative properties.
Artists like Loish, Chihiro Howe, Iraville, Cat Coquillete, Jacquelin de Leon, Chris Hong, Claire Wendling, Teagan White, Morgan Davidson, our very own Jake Parker, and others have had successful careers so far or are building their careers by branding themselves and monetizing their interests. They freelance and do client work, sell prints, do licensing, or start personal projects based on the personal work and brand they established/are establishing. They all seem to have their thing that attracts people to them, and that's what makes them money. Something like that might work for you.
I'm young and barely in the industry, but it appears that if you can channel your interests into projects and products people are willing to buy, it can be a fairly sustainable career in the long run
@holleywilliamson I totally agree about getting enough sleep! I'm in art school right now and my peers pull all nighters all the time, and we're often told to do whatever it takes to improve even if it's not sustainable and causes intense physical stress. But I've learned that having a healthy relationship with time and managing it responsibly will virtually eliminate the need for that. Good sleep is important like good nutrition and good exercise in order to do good work. I know that if I don't get enough sleep I can't function at full capacity the next day and my productivity while trying to stay up plummets exponentially which negates the point of an all-nighter, late nighter, or cutting my sleep time. People ask how I get all my work done, and sleeping when I need to is a surprisingly large part of it. That being said, it's important to understand how much sleep we actually need to function at our prime. I found I only need 6.5-7 hours in order to feel rested. Knowing ourselves and how to use our time wisely increases quality of life and productivity
@jthomas For sure, the 30's is a prime time for artistic growth. Speaking for myself, my art at 20 something looks a little silly. I drew random stuff that had no real meaning or purpose. I think an artist has to tell a personal story in order to grow and to gain an audience. Drawing a cool looking "thing" can only get you so far. I've learned this fact the hard way
