Please help with contract and copyright issue
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@NessIllustration yes, I did give her exclusive license and clearly and nicely explained her that this actually gives her everything she needs. I tell her that I feel I was generous with lowering my fees for her passion project but I only can repeat myself with the copyrights and the license. Thank you for your comment, it really helped me to see that I am not in the wrong with my thoughts about this situation. I really appreciate it!
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@Lee-White thanks for the advice and the analogy
a good one!
How funny, I have just listened to your podcast about Successful failures today!
well, if she doesn't give in, believe me - I have already learnt tonnes of stuff about licensing and copyrights! Aaaand... it looks like I learn how to walk awaythnx
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@anitabagdi it's a good idea to put a time limit on an exclusive license too.
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I think you got some solid advice from @NessIllustration and @Lee-White .
I was in this situation before, the writer who was a self publisher was asking for full copyright and when I asked why she could not give me a coherent response.
I ran so fast from that project, also with it being her passion project I could anticipate her nitpicking over the smallest insignificant details. I think it's great to get feedback and changes from art directors but from a self publisher who could have little to no experience, made me question whether the money was going to be enough to justify the headaches I could see down the line.
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Solid advice from this thread!
@NessIllustration is absolutely right "she's asking for something that has a value, and you can't just give it to her for free. If she wants it, she has to pay what it's worth."
And that worth is not just the book project your client has in mind but every possible use the image(s) could be put to (posters, animation, board games, backpacks, toys, dolls, magazine, other books, video games etc. etc.) for your life + 70 years. Considered in this light, the potential value of a single image is easily in the tens of thousands if not hundreds of thousands of dollars.And I love @Lee-White 's analogy, but when I explain this concept I adjust it a bit to be a car rental agency (mostly because we "rent" our images with the idea that ownership always stays with us. And the more often that image is licensed the more income we generate.)
It's like someone needing to rent a car for some business meetings this week. They only have a $3,000 budget to rent for a week but insist that they simply must own the car. The rental agency might be willing to sell the car, but for $30,000 -- which, coincidentally, is where I start pricing a single image as a WFH.
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@davidhohn perfect analogy
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@davidhohn yes an other great analogy, thanks. Yes, I totally got this but she seems to be the one who doesn't. I contacted her last night explaining pretty much what we talked about above. I'm ok to walk away from this project now without feeling bad.Thnks for all your support guys!
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@Phil-Cullen thanks for the advice, this situation gave me good lessons already.
And you may be right, she might be even more picky later on because it's her passion project. -
This is such an important topic, and I'm glad to see and get the advice posted in it. I think this is the top thing artists/ illustrators struggle with is how to price and value our work, and stand up for those rights (I know I have). Excellent question and responses.
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@davidhohn love that change to the analogy. That is exactly right!