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    Practice for Drawing in Perspective class

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    • Dulcie
      Dulcie SVS OG last edited by

      @Pamela-Fraley Thanks ๐Ÿ™‚ Yes it definitely melts my brain too!
      @Carrie Thanks for the kind words, glad you like the idea ๐Ÿ™‚
      @lmrush Thank you!
      @Naroth-Kean Thank you ๐Ÿ™‚
      @bharris Thanks! Glad you are getting good things out of this class too!

      @Will-Terry Thanks! Glad you approve. Yes, I'm only half way through the class but I'm 100% sure that this is going to help with accuracy of drawing, and I'm super excited about applying it to my next pieces...hopefully the speed will come with practice. There are some things I don't understand yet, but I'm hoping that it will become clear by the end of the class...if not I'll post questions here ๐Ÿ™‚

      www.dulciemascord.com
      https://www.instagram.com/dulciemascord
      https://twitter.com/dulciemascord
      https://www.facebook.com/dulciemascord

      Will Terry mag 2 Replies Last reply Reply Quote 0
      • Will Terry
        Will Terry @Dulcie last edited by

        @Dulcie and if you post questions here tag me so I'll see it and can respond ๐Ÿ™‚

        SVS Instructor
        http://willterry.com/

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        • mag
          mag Pro SVS OG @Dulcie last edited by

          @Dulcie I love your washing machines! They are the best ๐Ÿ™‚
          I'm currently half through creative composition, looking forward (and trembling with fear) to taking the perspective class...

          Mag
          https://www.instagram.com/mag_takac/
          http://mag.takac.name

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          • NickA
            NickA last edited by

            Very solid work. I like the final illustration.

            The box in picture 2 looks distorted, as you are placing it well beyond the range that 2 point perspective can handle realistically. The 60 degree cone of vision shows the range a two point perspective can handle without any distortion. It can be worked out by placing a circle that is 2/3 the width of the distance from one vanishing point to another, in the centre between the vanishing points. I've overlayed it on your drawings to show how it works:

            2.jpg
            3.jpg
            1.jpg

            The simplest way to remove the distortion is to move your vanishing points further apart.

            The boxes in picture 3 look distorted as the eye line needs to perpendicular to the edge that doesn't foreshorten (for 2 point). When I adjust this, it places them outside the cone of vision (especially the one to the right, which is right above the vanishing point at this angle). I could have raised the eye level to match more the centre of yours, but those boxes on the right would still be distorted. Even in 3 point, the eye line needs to be perpendicular to two of the points.

            a.jpg

            The cubes in the final illustration look good as you have instinctively kept them within or close to the cone of vision.

            I hope this helps. ๐Ÿ™‚

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            • Dulcie
              Dulcie SVS OG last edited by

              @mag Thank you! ๐Ÿ™‚ Ah Creative Composition is on my to-do list too, looks very useful.

              @NickA Thanks very much for your feedback and especially for taking the time to do a draw-over! I know there is still a lot I have to learn, and posts like yours really help.. I could see that some of the boxes were getting distorted as you say. I will do more practice and hopefully will get there ๐Ÿ™‚

              www.dulciemascord.com
              https://www.instagram.com/dulciemascord
              https://twitter.com/dulciemascord
              https://www.facebook.com/dulciemascord

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              • natiwata
                natiwata SVS OG last edited by

                I too love the washing machines! Nice work!

                Nat Iwata
                www.iwataillustration.com

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                • MOO
                  MOO SVS OG last edited by

                  Love it! Here are some of my perspective exercises. It's a good idea to share! 12745809_10208055196231214_710028671876468030_n.jpg 12743638_10208055195991208_4301463003395167551_n.jpg 12321644_10208055195751202_773269387883717346_n.jpg 12744188_10208055194511171_4789218305154069980_n.jpg

                  Marsha Ottum Owen

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                  • Dulcie
                    Dulcie SVS OG last edited by

                    @natiwata Thank you! ๐Ÿ™‚

                    @Marsha-Kay-Ottum-Owen These are fantastic, great work! Glad you are making the most of these exercises tooโ€ฆthanks for sharing ๐Ÿ™‚

                    Iโ€™ve carried on with the rest of the exercises from the class:

                    vdip-practice1_0003-web.jpg

                    vdip-practice1_0004-web.jpg

                    vdip-practice1_0005-web.jpg

                    vdip-practice1_0006-web.jpg

                    vdip-practice1_0007-web.jpg

                    www.dulciemascord.com
                    https://www.instagram.com/dulciemascord
                    https://twitter.com/dulciemascord
                    https://www.facebook.com/dulciemascord

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                    • Dulcie
                      Dulcie SVS OG last edited by

                      @Will-Terry Thanks for a great class! I do still have a couple of questions though.. you see, I was enjoying drawing all these floating guitars, and I wanted to turn it into a surrealist landscape of guitarsโ€ฆbut I got confused once I got further outwards. Am I allowed to draw the other side of the vanishing points? I can imagine it carrying on, so it must be possible, but Iโ€™m not sure what the rules are.

                      vdip-practice1_0007-web.jpg

                      Iโ€™m sure I remember seeing on SVS somewhere Jake talking about perspective on a street scene/street corner, where you have both 3-point and 1-point going onโ€ฆI tried to find it but the nearest similar example I can find was my piece here (I think I was subconsciously inspired to do a similar perspective after watching it):

                      vdip-example.jpg

                      So could I apply that sort of perspective to the guitars and carry on outwards? More broadly, when youโ€™re constructing a scene are there any rules about how far you can draw outwards/around the points?

                      www.dulciemascord.com
                      https://www.instagram.com/dulciemascord
                      https://twitter.com/dulciemascord
                      https://www.facebook.com/dulciemascord

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                      • MOO
                        MOO SVS OG last edited by

                        Those look really good! I am trying to stick with one class. I started perspective and listened to it but didn't do all the exercises. Now I am doing the Creative Composition class and doing that workbook. It has already been helpful to me in fixing work that I thought was a finished dummy (boy was I wrong ๐Ÿ™‚ ) It is looking much better.

                        Sorry these photos aren't that good.

                        Here are some photos of the pages I've done so far-it would be nice to know if I'm "getting it" with the assignments. I kind of hesitate to show them but, I should really ask for input so I can progress.10403106_10208069590831070_7331491906000580927_n.jpg 1531864_10208069590631065_2236426188517773179_n.jpg 12742343_10208069590351058_6800550716707740450_n.jpg 12742492_10208069590031050_2751315309626777373_n.jpg 12744226_10208069589871046_9201430613122584700_n.jpg 12795575_10208069589631040_2098705194528897427_n.jpg

                        Marsha Ottum Owen

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                        • lmrush
                          lmrush Pro SVS OG last edited by

                          Good for you for putting in the time, thanks for sharing

                          Lisa Rush
                          www.lisarushgallery.com
                          www.facebook.com/ArtbyLisaRush/
                          www.instagram.com/lisarush11/

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                          • kamiqueiroz
                            kamiqueiroz last edited by

                            @Dulcie Haha! This washing machine idea was great! Indeed, we can get inspiration from everything! Youยดre doing really great and Iยดm seeing your progress.

                            I did @Will-Terry perspective class during this week too, here are some of my studies. I almost fried my brain thinking about it ๐Ÿ˜จ
                            3.jpg 2.jpg 1.jpg

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                            • Dulcie
                              Dulcie SVS OG last edited by

                              @Marsha-Kay-Ottum-Owen Good for you for keeping on with those exercises, they look great! Creative Composition is one class I haven't done yet (it's on my list!) but I've seen a fair few of the exercise sheets posted and it looks like you're going the right way with them ๐Ÿ™‚

                              @kamiqueiroz Thank you! Yes it's the type of class that fries your brain but worth it...Your sketches look great, thanks for sharing! ๐Ÿ™‚

                              www.dulciemascord.com
                              https://www.instagram.com/dulciemascord
                              https://twitter.com/dulciemascord
                              https://www.facebook.com/dulciemascord

                              Will Terry MOO 2 Replies Last reply Reply Quote 0
                              • Will Terry
                                Will Terry @Dulcie last edited by Will Terry

                                @Dulcie Hi Dulcie - I just saw all the work you've been doing. I've been trying to catch up after being sick for 3 days, preparing for and presenting at the Utah/Idaho SCBWI Today...It looks like you're doing great! ๐Ÿ™‚

                                SVS Instructor
                                http://willterry.com/

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                                • MOO
                                  MOO SVS OG @Dulcie last edited by

                                  @Dulcie Thanks. I appreciate your encouraging words ๐Ÿ™‚ I am impressed with your accomplishments in illustration. I'll keep pushing forward, can't go backwards if your going forward ๐Ÿ™‚

                                  Marsha Ottum Owen

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