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    WIP Watercolor for The Witches by Roald Dahl

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    • Arthur Campling
      Arthur Campling @jahn last edited by

      @jahn Yes indeed, I do see what you mean! Its ment to be a "real" village in Norway set in the late 1900s. I actually had a car in the bottom right corner but removed it for some reason. Maybe a few things like that would make it more alive. Thanks for the feedback!

      Arthur Campling

      arthurcampling.com
      https://cara.app/arthurcampling
      https://www.instagram.com/arthur.the.artist/

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      • ?
        A Former User last edited by A Former User

        In the 1970’s through the 1990’s I illustrated using watercolor and an airbrush. A friend used to work as a background artist at Disney in the 1930’s and 1040’s. He told me that whenever he got into trouble with a watercolor painting he would use his airbrush to touch up where needed.

        In your painting, such a touch up might be masking off the primary house and the applying a subtle halo or white glow to separate it from the background.

        Arthur Campling 1 Reply Last reply Reply Quote 3
        • MerryMary
          MerryMary @Arthur Campling last edited by

          @Arthur-Campling That is the worst! I have have done that before on watercolor too and it is frustrating. I'm glad you got some great pictures though so that you could keep working on your art piece 🙂

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          • Arthur Campling
            Arthur Campling @Guest last edited by

            @thomas-young Cool, its so valuable with people with so much experience. I will have to try this effect in photoshop and see what it does. I do love the old Disney movies and the way they where done.

            Arthur Campling

            arthurcampling.com
            https://cara.app/arthurcampling
            https://www.instagram.com/arthur.the.artist/

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            • Meg Clayburn
              Meg Clayburn @Arthur Campling last edited by

              @Arthur-Campling I would do less detail to the background if it's not too late to change. Especially the furthest house. The area around the house I would make a little more vibrant and detailed and make add more to the house. Are you thinking of inking over it? I think the house would look great if you went over the line work with a dip pen.

              Meg Clayburn

              Instagram.com/meg_clayburn

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              • Arthur Campling
                Arthur Campling last edited by

                Thanks, everyone, for all your feedback. This forum is really awesome! Since I ruined the original, I couldn't try all the feedback I received, but I want to learn and understand what went 'wrong' or how it could be improved. So I worked on it digitally. This isn't really what I want to do in the future. I want my watercolors to be done when I put down the brush, with maybe some tiny adjustments to details and colors, but not like I did here. Anyway, here is how it looks now!

                In my most recent paintings, I have started to do a wet-in-wet wash before blocking in colors (which I did not do here), and this has helped tremendously whith values, details and tones.

                p_2 copy.jpg

                Arthur Campling

                arthurcampling.com
                https://cara.app/arthurcampling
                https://www.instagram.com/arthur.the.artist/

                ? kayleenartlover 2 Replies Last reply Reply Quote 1
                • ?
                  A Former User @Arthur Campling last edited by A Former User

                  @Arthur-Campling very nice! Quite a leap forward in that you managed to create unity overall while separating the foreground house simultaneously!

                  1 Reply Last reply Reply Quote 1
                  • kayleenartlover
                    kayleenartlover @Arthur Campling last edited by

                    @Arthur-Campling you cleaned it up nice, sorry the original didn’t work out. I’ve heard artists like Lee White will do color studies before going into the final piece. Like thumbnails. Doing more of those might help catch value stuff in the future.

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                    • kayleenartlover
                      kayleenartlover last edited by kayleenartlover

                      The only thing that’s left is a tiny bit more detail of the characters, at least their faces. Also LOVE the detail in the reflection of the windows 👌🏻 very nice touch

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                      • Arthur Campling
                        Arthur Campling last edited by

                        @kayleenartlover lol you are totally right, they dont have any eyes 😨 In the future I think I need to work on a larger paper then this, then the faces would have been easier. I did this on a 30x40 cm (12x16 inch) and should have done it on my larger 40x60 (18x24 inch) papers.

                        Arthur Campling

                        arthurcampling.com
                        https://cara.app/arthurcampling
                        https://www.instagram.com/arthur.the.artist/

                        ? 1 Reply Last reply Reply Quote 1
                        • ?
                          A Former User @Arthur Campling last edited by A Former User

                          @Arthur-Campling what type of paper and weight? Hot press or cold? Do you mount it on a sturdy illustration board or stretch it?

                          My favorite size to work analog 30 to 40 years ago was 20 x 30 inches. Now I work 12 x 18, 13 x 19, and 15 x 20 inches.

                          Arthur Campling 1 Reply Last reply Reply Quote 0
                          • Arthur Campling
                            Arthur Campling @Guest last edited by

                            I use Arches hot pressed 300 grams, never really tried anything else as I have understood it's one of the best papers for illustrations. I've tried all kinds of ways to mount it. What I do now is I soak the paper for maybe 10-15 minutes, put it on a 10 mm plywood board, staple it around the edges, and then also use gum tape to keep the edges from buckling. I have tried using standard masking tape, but it always loses grip from the water. I have heard that high-grade painter's masking tape is a good option, so maybe I need to try that. Gum tape is a nuisance to get off, so I usually just cut off the edges.

                            Arthur Campling

                            arthurcampling.com
                            https://cara.app/arthurcampling
                            https://www.instagram.com/arthur.the.artist/

                            Larue 1 Reply Last reply Reply Quote 0
                            • Larue
                              Larue @Arthur Campling last edited by

                              @Arthur-Campling
                              I use the blue wide painters tape and it works very well for me. Keep in mind my pieces aren’t very large, 17X8 lately so I don’t know about larger pieces.

                              Arthur Campling 1 Reply Last reply Reply Quote 0
                              • Arthur Campling
                                Arthur Campling @Larue last edited by

                                @Larue Yes, I'm going to get hold of that tape. For smaller pieces or when I'm not doing a large wash, it's usually fine just to tape it. It's when I soak it and do a lot of wet washes that things need to be tight!

                                Arthur Campling

                                arthurcampling.com
                                https://cara.app/arthurcampling
                                https://www.instagram.com/arthur.the.artist/

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