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    Portrait commission

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    • smceccarelli
      smceccarelli Pro SVS OG @Rich Green last edited by

      @Rich-Green How do you position this towards customers? I mean, it is not an oil painting, it is more like a print.
      I know of an artist (I forgot his name now) who does digital painting, then prints on special coated paper and repaints the whole thing in oils on top. So he sells that one as an original oil painting to collectors, while the digital copy goes to the publisher who commissioned it (he does book covers)....
      Not sure I want to go down that road. But printing on canvas sounds awesome by itself, for example for transferring sketches and/or value studies!

      Rich Green 1 Reply Last reply Reply Quote 0
      • smceccarelli
        smceccarelli Pro SVS OG @QuietYell last edited by

        @QuietYell Absolutely correct. It is observational drawing, which is good for practice and makes you better at imaginative drawing, but is not as challenging or exciting as imaginative stuff.

        1 Reply Last reply Reply Quote 0
        • Rich Green
          Rich Green SVS OG @smceccarelli last edited by

          @smceccarelli - completely agree - definitely not an actual oil painting. I too have seen other artists who embellish over a print on canvas with traditional paint to give depth and texture etc. So like a hybrid of the two.

          I do not do these portrait type pieces or commissions anymore as I did not enjoy them and I was not charging enough for the time and materials involved - I have learned my lessons there.

          But like you point out - having a printer with inks you can draw/paint/glaze over is really great and the possibilities become endless really.

          Do you watch any of Jake Parker's videos - you may have noticed in some of his recent ones (and his facebook live videos etc). He will print out his sketch and then ink/color over the top of that. Here is a link to one his most recent ones - if you go to the 5 minute mark he talks about it a little bit: https://www.facebook.com/jakeparkerart/videos/1208379585879492/

          www.richgreenart.com instagram.com/richgreenart/

          smceccarelli 1 Reply Last reply Reply Quote 0
          • QuietYell
            QuietYell SVS OG @Rich Green last edited by

            @Rich-Green Thank you so much for such great info!

            Scott Monaco | QuietYell.com
            IG/FB/LI: @QuietYell
            IG-2: @QuietYellSketches
            TW/PIN/BEH/DEVART: @ScottMonaco
            SCBWI: http://bit.ly/1r8Dmqr

            1 Reply Last reply Reply Quote 1
            • smceccarelli
              smceccarelli Pro SVS OG @Rich Green last edited by

              @Rich-Green Oh yes - it was a real eye-opener. I have been experimenting with that process (for example for the last third Thursday) and I like it a lot.
              I am fascinated by mixing digital and traditional workflows. I had dabbed a bit into mixing pastel and digital when I was at school, and have been following other artists that mix digital and traditional. Justin Gerard has an awesome watercolor/digital hybrid process, where he does the value study in watercolor (on a digital sketch, printed on watercolor paper), then colors with transparent layers in Photoshop. He gets these very vibrant pieces, with the depth of digital painting but the texture of watercolors - and has the watercolor study as original art. I also like the look of traditional inks and pencils more than digital line - and I am thinking about experimenting with line-dominated styles....
              Pity there is only one life....

              1 Reply Last reply Reply Quote 2
              • Dulcie
                Dulcie SVS OG last edited by

                Great thread, lots of interesting comments and beautiful portrait too!

                @Rich-Green Thanks for sharing your art canvas method, very interesting to see! One day (when I have more space) I'd like a printer that can print on a wider variety of surfaces. I'm not surprised that you stopped doing those though, I can imagine that with all the printer set-up time, varnishing etc plus cost of materials and your time, it must be difficult to get enough money back to make it worthwhile.

                @smceccarelli Oh I am fascinated with traditional/digital hybrids too...I'm pretty sure that's the way I'll end up working, I'm just not sure how yet....and I keep on experimenting to try and find out. I love the way traditional methods look, with the ink on paper and the textures...yet there is also so much to admire in digital pieces, with the sharpness and contrast, all the amazing brushes and the various layering techniques that you just can't do traditionally.

                That's really interesting to hear about Justin Gerard's process, just been to his website, amazing work. I recently experimented doing my value layer in dark tones of watercolour, then scanning in to do digital colour on top...didn't quite work out the way I wanted, but it was good to try.

                www.dulciemascord.com
                https://www.instagram.com/dulciemascord
                https://twitter.com/dulciemascord
                https://www.facebook.com/dulciemascord

                1 Reply Last reply Reply Quote 1
                • Camomilla
                  Camomilla last edited by

                  Maybe I'm missing something, but in my head, digital is just another medium. I believe that whether the portrait is drawn/painted digitally or traditionally does not matter that much - what you pay for is the artists interpretation of the face. If the artist can capture the expression, create a suitable mood and feel to the portrait - I think this is more important than how it was created. I find portraits fascinating, and would really like to get better at them.

                  smceccarelli 1 Reply Last reply Reply Quote 0
                  • smceccarelli
                    smceccarelli Pro SVS OG @Camomilla last edited by

                    @Camomilla Sure, digital is only another medium, you are right. But digital does not produce an original, whereas traditional does. A portrait client buys an original - he is not interested in prints generally. Also, you cannot really sell any rights to a portrait, unless is of a famous person for some editorial use - so you really only sell the original.

                    Camomilla 1 Reply Last reply Reply Quote 1
                    • Camomilla
                      Camomilla @smceccarelli last edited by

                      @smceccarelli Perhaps selling as a limited print-run of one could compensate for the lack of an original (haha) 😛 No, in all honesty, who would buy the print of a portrait of someone else (or someone elses relative) - it's probably only interesting for the commissioner anyway 🙂

                      I've given this some thought - I can't really work much traditionally as it triggers inflammation in arms/elbows/shoulders/upper back. This has been an issue for years, and will probably always be an issue as long as I continue to work full time as a graphic designer. My spare time activities has to be less of a burden on these areas, unfortunately I mainly like to do stuff that are tough on the arms. Like knitting, crochet, drawing and such 😛 I find that digital drawing allows me more drawing time, due to less friction between surface and stylus - not to mention the fact that the undo-feature makes my drawings looser and not inhibited by the fear of making mistakes. I still sketch a little traditionally from time to time, but try to limit it.

                      1 Reply Last reply Reply Quote 1
                      • Durrell Odom
                        Durrell Odom last edited by

                        Looks good

                        www.durrellodom.com

                        1 Reply Last reply Reply Quote 0
                        • smceccarelli
                          smceccarelli Pro SVS OG last edited by

                          Finished - it was actually more interesting than I thought. It was fun to get back to pastel after so much time. A bit of a struggle, but I guess you never forget.
                          Meanwhile, I have put that awesome printer on my wish list 🙂

                          0_1472064815910_IMG_2696.jpg

                          0_1472064838424_IMG_2697.jpg

                          1 Reply Last reply Reply Quote 5
                          • evilrobot
                            evilrobot SVS OG last edited by

                            Beautiful work:)

                            http://www.palacioillustration.com/

                            https://www.scbwi.org/illustrator-gallery/illustrator-detail/?illustrator_id=84142

                            https://www.pinterest.com/evilrobot2/pins/

                            https://twitter.com/MyEvilRobot

                            1 Reply Last reply Reply Quote 0
                            • Dulcie
                              Dulcie SVS OG last edited by

                              Really lovely - technically so proficient but also lets their personality shine. I'm sure the family will be very happy with the commission!

                              www.dulciemascord.com
                              https://www.instagram.com/dulciemascord
                              https://twitter.com/dulciemascord
                              https://www.facebook.com/dulciemascord

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                              • Camomilla
                                Camomilla last edited by

                                @smceccarelli These are beautiful, really nice work!

                                1 Reply Last reply Reply Quote 0
                                • bluesky71
                                  bluesky71 last edited by

                                  Loverleee!😊

                                  https://www.instagram.com/lokibear71/
                                  Jenniferwillimott@rocketmail.com

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                                  • natiwata
                                    natiwata SVS OG last edited by

                                    I don't know what your subjects look like, but these are very natural looking and full of life. Well done!

                                    Nat Iwata
                                    www.iwataillustration.com

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