2 Jun 2019, 13:55

@BichonBistro

As far as a general rule with number of elements, I think it would be to difficult to break it down in that way, but if I did it would be less is more. For balance, if things are too symmetrical they often will not communicate as well. That’s why the symmetrical Bichons I did do not look very good. If there were slight differences between them, it would communicate the idea of the Bichons clearer and quicker. The logos with the breeder as the scale are visual overload, it is just too much for the eye to process. Also, the Bichon you draw looks really good and could very easily be broken down to basic line work for a logo.

For your other questions:

  1. I do not think the standing Bichon would work in the current designs you have, but if the body is important, it may be worth trying out a different design with only the one Bichon and the scales used differently?

  2. This one is tough to answer because it really depends on the audience. If you are unsure and it is not an option to speak directly to the client, it might be good to do a few options that go in different directions. Just rough, not polished. If you haven’t already, Google “dog breeder logos” and you will get a bunch of results that will hopefully inspire some ideas. Maybe the Bichon is the main part of the logo, and the scales are worked in more subtly? Or vice versa. Here are a couple I took from google..

Maybe you could put scales in place of the mountain?

23BA4729-6193-4DCE-A50C-090488B214D7.png

Maybe you could have the dog on the left looking at the scales on the right?

3D6A331A-655B-4E73-A9B5-12A3BF3A5223.jpeg

  1. Lol! Nope. The pen tool has come a very long way. Still, the live paint or pencil may be easier options. I have never used my Apple Pencil in Illustrator, but I imagine it would be a lot like Procreate.