Should I even bother?

reelynn

@melissa_bailey oooh, I really LOVE the look of Jerry Pinkney's art. I also really love the art in Harry Potter books.

Melissa_Bailey

@reelynn Jerry Pinkney is awesome! The Lion and the Mouse … ️️️

Do you mean the original artist? That’s Mary GrandPre — you’ll love her picture book illustrations! Check out Vincent Can’t Sleep.

reelynn

@melissa_bailey I was reading The All I Ever Want Christmas Doll. It brings up memories of my own childhood - the art and the story. I will have to check out The Lion and The Mouse. I will also check out Vincent Can't Sleep. I love the images in the original AND the color books of Harry Potter. I have all the original books and they have been read multiple times over the years and a couple I took with me on long hikes and got ruined in the rain and such. I am reading the new illustrated books with my son because I need him to love those books as much as I do. I got into the books when I was a reading tutor in special education at an elementary school over 20 years ago. All the kids were trying to read that book even though they really should have been reading kindergarten level books and I became interested in the story and had to read them on my own. So when I read those books there are a lot of memories of my adult life associated with them. Looking up some of the books I used to love brings back so many memories and I am realizing that my very favorite books growing up had more of a realistic look to them, or at least quite semi realistic. Kind of sketchy. There are a few books that I remember the pictures and I LOVED the pictures, but I can't remember the story. Since the books were written before the 70s, I am not even sure when they were written or who published them. I have no way of finding the books so I can see those images again.

cianamacaroni

@reelynn said in Should I even bother?:

reelynncreates

Hey Reelyn, I think you definitely have potential and should keep creating, even if it's just for you. Do you listen to the SVSLearn Podcast, "3 Point Perspective"? If not, there's an episode where someone asks a very similar question, and I think Lee, Jake and Will had some great advice. There are also episodes where they give advice about "going pro"/making art for a living, and how to tell if that's the right path for you. I'd give the podcast a listen if you haven't.

At this early stage in your art career, I would say you should just lean into what is fun. I think worrying too much about where you're going and whether you're good enough will kill your excitement and make it all feel impossible. I think you'll actually learn and improve organically if you just follow your interests and joy.

I hope that helps!

reelynn

@cianamacaroni Yes, that helps a lot. I have a lot of things I enjoy doing and learning. Having to force myself into a mold feels confining right now. I love the idea of illustrating and want to do some illustrating someday of books about mental health for kids (I am a mental health therapist and behavior analyst), but that doesn't have to be all I do. And it doesn't even have to happen at all. I am comfortable with my current job, I enjoy what I am doing most of the time, and I make steady money, which is important for my family right now. I don't want to quit my job, just add to my enjoyment of life.

NessIllustration

You have beautiful work! Yes, I think you should bother It would be a tragedy if your picture books never made it to the shelves.

With a clear strategy, it could take you less time than you think to start making income from this. What you need first is a portfolio website with at least 10-12 pieces in a consistent style targeting a specific market. If you create 1 piece per week, you can be done with this in as little as 3 months. Once you have your website, you're ready to start contacting publishers.

I have a free masterclass on YouTube that goes over a strategy to get started in freelance illustration and illustrate each step clearly. You can watch it here: https://youtu.be/DsNL7mbn2HU
I think it would give you a good overview of your next steps!

reelynn

@nessillustration Thank you!

jenn

@reelynn Your work is lovely (more about that below)! I would like to express solidarity and encouragement, even though I don't have enough experience to tell you all the answers. I am also coming to this later in life, with kids nearing college and a day job that I can't quit anytime soon. I also did not follow an artistic career path in order to ensure a more reliable income, and I don't know if my efforts to improve my craft will lead to publication and a dependable living from making art. I agree, it sure is difficult to keep motivated for something that requires so much creative energy, time and persistence without a clear promise that it will pay off in the economic sense.

To motivate myself, it sometimes helps to impose deadlines and designate a couple hours each weekend to focus on craft. At the same time it is easy to feel discouraged when I miss a deadline or I spend that precious time doing something else for whatever reason. So being self-forgiving and flexible are both very important, as are reflecting on and celebrating progress (especially if our well-meaning, non-artist friends or loved ones just don't get it). The critiques and advice from members in this forum have been insightful and can also help with motivation because they help me figure out real, doable next steps that truly strengthen my work.

And by the way, my opinion about your work is that I don't believe you would be starting from scratch at all!! The work that you posted on Instagram expresses creativity, beautiful watercolor and pastel technique, and attention to detail. Your work definitely has strengths that translate directly to kidlit art. Like others have mentioned, if your goal is kidlit publication, I think your next steps would be to build a consistent set of samples that show characters as part of narratives, with strong composition. Easier said than done, right?? But you have the productivity/creativity part down. Anyway I have gone on for too long, I hope this helps.

reelynn

@jenn thanks so much! Nice to hear someone else in a similar boat. I appreciate the feedback as well. I love working with traditional materials, and I also recognize it’s not as easy to change things if it’s traditional so I am trying to figure out what I want to do regarding that. I also love the idea of doing digital work. There are just so many things I enjoy. Thanks again for your feedback.

Jeremy Ross

Hi @reelynn, YES!

Life’s too short!

Pamela Fraley

@reelynn I relate with you a lot. My answer is 1. We’re all getting older anyway. If you want to spend some of that time working at your craft, do it! 2. I don’t consider myself “good enough” yet, but thats not my reason to quit. Its my reason to work at it. If you want to learn French you don’t start by saying, “Well, what do you guys think, I don’t actually know any French yet, should I even attempt it?” There are so many stories of people who weren’t “good enough” to even get into art school, who worked till they were, and are now professionals. You’re always going to have doubts and obstacles, but if thats what you want to do, you just need to find a way around them. I have had teachers tell me I “ wasn’t worth their time”. My spouse also doubted whether my art was going to “go anywhere”. Doesn’t matter. I don’t think he has a career in disc golf either, but I still encourage him to do it because he loves it. 3. You don’t have to go all in or not at all. You can grow your craft a little at a time and see where it goes.
Sorry for the long response.

Griffin McPherson

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