Rob Gale's Sketchbook
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@julia Thank you so much! It was such a great thing to do. I've really slacked off in November!
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Your inktober pieces are amazing! Really great collection of work there.
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Im going to use your flat brush... leave gradients for last technique. Seems like a great way to get the most out of your brushstrokes. Really like your inkworks.
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@robgale that 2nd one reminds me of a videogame character … no... it's not a videogame character, it's the bloke from that Anime Paranoia Agent!
Yes! Just googled him, Little Slugger is his name
Your sketch has that vibe about it.
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@Chip-Valecek Thanks for the kind words!
@JacksaurusRex I'm still experimenting with my process, but yes! I feel like the discipline is helping me keep things nice and clean. Let me know how it goes for you.
@Sophie-Lawson Oh cool! I'm not so up to speed on my Anime, so I haven't heard of it, but I'll have to check this out, it looks really interesting! -
Tis 2019 and inspired by last year's inktober, I thought I would try a drawing a day challenge for myself in 2019, so here's the first week (well, partial week since Jan 1 was on a Tuesday)
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365 Challenge Week 2
Doing these daily sketches is really helping me figure out a process and be more clear in my approach. Here's a batch from the first full week in 2019.
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Great studies!
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Your potrait 002 reminds of Oscar Wilde
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@nyrrylcadiz Thanks! That one does have a 19th century Dandy sort of feel
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365 Challenge Week 3
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@robgale The colours are incredible in these illustrations! What is your process for choosing colours?
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@inkandspatter Thanks! My process is very hands on. I structure my photoshop files so that I can tweak colors continuously throughout. For these I haven't really been doing my proper due diligence of thumbnails and color studies and all of that since I'm trying to pump one out every day, so I created a process where I could keep tweaking things like colors all the way up to the end. This also has the benefit of being more fun because I'm always surprised by what comes out.
Basically I separate layers into "Light" Layers... each one representing a different light source (shadows I also consider light sources), and Local Color layers. So a shirt has one layer, the skin tone is on another layer etc. Each layer is just one solid color layer, I use Fill layers in photoshop because I can easily double click to bring up the color and change it. Then I draw and paint using masks on each layer, so basically I'm painting either the silhouette of the shape, or the shape of the light, but it's all kept separate. Then at the very end I'll add things like smaller areas of color or details or texture however makes the most sense.
It took some getting used to and lots of getting frustrated, but I find that using this process seems to be helping me think more clearly about what I'm painting, instead of just jumping in and mushing things about, which is my natural tendency.
I hope that makes some kind of sense!
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365 challenge Week 4
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@robgale I really enjoy your daily sketches. They are so fresh. The colors are so vivid and express the moods perfectly. I am happy that I can follow this journey of yours. Do you have a color scheme or palette in your mind before you get into it?
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@nasvikdraws Thanks for the kind words! Sorry to take so long to reply, it's been a busy couple of weeks! To answer your question, I haven't really had much in mind, I mostly just jump in and keep tweaking things until I've got something I like. I could benefit from being more methodical, but it's more fun to get in and fudge things around
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365 Challenge 27 - 36
I missed a few days from the busyness of work. It was bound to happen! Hopefully I can make up those days at some point soon. Here's everything from the last two weeks.
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@robgale You'e been very busy and the quality of work is very nice! I like how you play with different brush textures like in the Orange Boy (his face is super cool), the sculptured combed look of the older man with the beard and the line work and colour in the astronaut.
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@robgale Again, your lighting is incredible!