Society of Visual Storytelling

    SVSLearn Forums

    • Register
    • Login
    • Search
    • Recent
    • Tags
    • Popular
    • Users
    • Groups
    • Search

    Critique - Does my linework work?

    Artwork
    12
    26
    1972
    Loading More Posts
    • Oldest to Newest
    • Newest to Oldest
    • Most Votes
    Reply
    • Reply as topic
    Log in to reply
    This topic has been deleted. Only users with topic management privileges can see it.
    • smceccarelli
      smceccarelli Pro SVS OG last edited by

      You know I think your linework is amazing. You evidently enjoy the inked lines and you're a master at it - so I wouldn't see a reason to change that unless you want to. You've got it all figured out: the line control, the width variation, the way it describes the shapes - I like all of it.

      Now for the render - one thing that strucks me consistently in your work it's that it's overall very dark. Your shadows and midtones are consistently on the dark to very dark side and that, combined with he limited and relatively unsaturated color palette, makes it look "heavy" and a bit "unfriendly".
      Here's one of your images with the midtones considerably lighter and a slight increase in saturation (compared to the original):

      0_1544435703289_Screen Shot 2018-12-10 at 10.53.11.png

      As for the rendering style, why not just experiment? If you're not sure you want to keep doing it this way, try cell-shading or flat coloring and see how you like or dislike the process and results. I like rendered comic books when they are well done (like in your case) and I also like more flat coloring. It can be a bit easier on the eyes, especially when you're looking at a whole page with many panels.

      braden H 1 Reply Last reply Reply Quote 2
      • Jason Bowen
        Jason Bowen SVS OG @braden H last edited by

        @art-of-b haha I felt a little harsh bringing it to your attention but now I feel ok about it, great story maybe its another one of those things like the blue dress 🙂

        https://www.instagram.com/jasonbowenoils/

        braden H 1 Reply Last reply Reply Quote 1
        • braden H
          braden H @Darian last edited by

          @darian I was in no way thinking about 'hot spots' but I'm gonna have to start! That's an awesome tool for personal critique I think I was missing.

          Thanks 🙂

          1 Reply Last reply Reply Quote 1
          • braden H
            braden H @frankiiij last edited by

            @dafoota Thanks for the feedback 🙂 Goes to show that no matter how much you try and keep values in mind, they sometimes blend together.

            1 Reply Last reply Reply Quote 0
            • braden H
              braden H @smceccarelli last edited by

              @smceccarelli As always, awesome feedback 😀 Thank you! The side by side comparison really makes it super obvious.

              I do work unnecessarily dark. This morning I thought to myself 'it's gotta be my cintiq, I gotta recalibrate that thing', buuuuuuut I'm pretty sure I need to recalibrate myself. Maybe I'll try restricting my starting values a bit more...

              I'm PRETTY sure I want to keep doing it this way. Pretty sure. I do like it and it gives me opportunity to lose some edges. For some reason I really like flat colouring with other stuff, but I've always HATED the way my line work looks with cel shading.

              Thanks again! You've given me lots to think about 🙂

              1 Reply Last reply Reply Quote 0
              • braden H
                braden H @Jason Bowen last edited by

                @jason-bowen Oh, man, not harsh at all 🙂 The last thing I want to have happen is present my portfolio to someone and have them say 'I'm curious as to why this little girl has such a luxurious moustache' :smiling_face_with_open_mouth_closed_eyes:

                1 Reply Last reply Reply Quote 0
                • First post
                  Last post