Do I belong at SVS?

deborah Haagenson

I was working traditionally, using oil paints and graphite pencil. I especially love to draw realistically. I find it to be so relaxing! I came to this site to learn how to create illustrative paintings - Environments, chacters that tell a story. I set a 3 yr goal a year in a painting class to achieve this. Fortunately a few months ago I found SVS. I have a lot to learn, but I now know I have a way to achieve this goal. In what ever medium I use. I always planned to learn to work digitally too and this site has gotten me going with that too and I love it!

Aaron_T

I’ve felt the same way, @Jenna-Jenks. I’ve always loved drawing, and got to be pretty adept at realism (in graphite, anyway), but don’t feel like I’m going to end up being a children’s book illustrator unless something really changes. I do feel like I would like to get into editorial illustration though, and the reason I’m going through these courses is to learn how to tell a story. As such I feel like the sessions are helping, and of course the refreshers are fun!

danielerossi

I’ve seen many children’s books (and graphic novels) over the years with realistic drawings. I see no reason why you wouldn’t fit in here. It’s still story telling And in the end, it’s all about communicating through illustration.

I, myself, don’t draw children’s books (would love to!), but for now I’m focusing on comics/graphic novels. So I’m here

I really like your work. Really sets the mood in the scene. Welcome to the group!

BichonBistro

@Lee-White beautiful

Nyrryl Cadiz

@Jenna-Jenks people here are really nice and respecting. They always willing to help put no matter your style. Give it a try. It’s free even if you’re not a subscriber.

Coreyartus

@Jenna-Jenks , there is room for everything here. We've had posts where artists share fabric prints, maquettes, spaceship models made from random found pieces--I myself have posted theatrical costume designs which are only loosely related to illustration and are "storytelling" in a fourth-cousin-twice-removed sense...

But something I've learned in the short time I've been here on these forums:

Regardless of your particular style there are ways to use it to tell a story. If realism is your thing, then figure out how to use that natural inclination to help tell a story. There are LOTS of realistic artists that have used their styles (yes, styleS--because realism can be a lot of different things) to help tell all kinds of wonderful stories in wonderful ways. You may love creating portraits, but look at how much story the likes of Rockwell, Leyendecker, and Sargent put into their work. A "simple" painting of a person becomes a novel in the imagination of the viewer. No one can say they don't look at their work and claim they don't know volumes about the subject in them. Lean into your storytelling. Guide your viewers. Ponder the advice of the fabulous, inspiring, empathetic, trustworthy participants here on these forums. You have permission to have a viewpoint in your pieces--opinions, feelings, thoughts. That's the bridge you can cross to make your expressions have a deeper meaning than just authentic reproductions. You are more than a pencil filter, or human camera, or organic algorithm. Lean into all that possibility. Own it.

I bet you'll find you're more of a storyteller than you thought, and it can be a tool to help you create more intriguing work, and you'll be able to exploit your social media in a new and interesting way.

Just my 2¢.

Lee White

@Coreyartus Great point! If anyone turns in something as good as a painting by JC lyendecker, I can guarantee they will win any contest!

carlianne

@Jenna-Jenks Thanks so much! I have seen posts about social media and networking here plenty of times, so I still think this should still be helpful to you. If you haven't checked out the podcasts or classes yet there are a couple on networking and social media that should be helpful to you.

Good luck!

Jenna Jenks

@chrisaakins thanks Chris ️I agree with you, SVS does have quite a lot of value to offer. I really respect Will, Jake, and Lee and the advice that they share via YouTube (ultimately why I came here.) I am checking out many of the podcasts in the business section, and I plan to explore more because I am always interested in upping my game even if illustration isn't my main goal as an artist, the lessons are still quite valid for all artists

Jenna Jenks

@deborah-Haagenson have you transitioned into strictly digital art now? I do a lot of my art at my other job during downtime and all of my breaks gotta love inventory control! Would love to see your other work in oil too ️

Jenna Jenks

@Aaron_T any lessons that give you a new perspective are always aces in my book

Jenna Jenks

@danielerossi thanks for the art love and the warm welcome ️ checked out your Instagram, and I think it's marvelous that you are making a book for those that have a stutter!

Jenna Jenks

@Nyrryl-Cadiz thanks for the warm welcome! ️ I will be sticking around for a bit if only because you guys are quite a lovely bunch

Jenna Jenks

@Coreyartus
Thanks for the insights ️ You guys have been very welcoming and knowing that the group is an amalgam of creative folk is definitely encouraging to stick around and explore further. I actually do write as well although nothing to the tune of what I draw! ️

Jenna Jenks

@carlianne yes! Thanks! ️ I have been perusing the business classes

danielerossi

@Jenna-Jenks Thanks! It’s a labour of love

Lee White

@Jenna-Jenks One thing to keep in mind with the direction you are going. Since you are offering these items for sale on your website, you are violating trademarks and copyrights when you are using an existing image as your source. At a small scale, you probably won't get caught, but it's just something to be aware of. be careful and try to change up your source material (new pose, lighting, etc) and don't just use 1 source image. i know comic cons, etc. are filled with copyright violations that are for sale, but that doesn't make it any more legal. Those people just aren't getting caught. It's like driving through a stop sign when there is no cop around. You don't get a ticket, but it's still illegal. : )

RG Spaulding

@Jenna-Jenks Your art is beautiful. Many times I feel out of place in the illustration world because I like to draw realistic or semi-realistic also and I don't see many children's book illustrators that I can identify with except a few. I still haven't figured out what my style is and I have heard some critiques that my art is not stylized enough. But I still enjoy taking the classes here and the folks here are very talented and nice also and give positive criticism on how I can change my work to fit into the Children's book industry which is what I am interested in.

Did I read elsewhere that you just moved to SF? Or maybe I am mistaken! I live an hour and a half (with traffic) south of SF. Welcome to the group.

@Lee-White amazing vase painting! Now here I thought you are very abstract painterly! It is good to see the many sides of our instructors!

BichonBistro

@RG-Spaulding @Jenna-Jenks check out children's books illustrated by Barry Moser (I have "My Dog Rosie" and "Our New Puppy") for beautiful examples of realism. I am in awe of the way he simplifies shapes, uses negative space and creates stunning designs against minimalist backgrounds, using light, shadow and color.

RG Spaulding

@BichonBistro , Thank you. I will definitely check it out.