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    Butterfly race WIP

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    • saciia_
      saciia_ @demotlj last edited by

      @demotlj I think your picture could maybe benefit from cropping it. I allowed myself to make a screenshot to show you what I mean. I also deformed it just a tiny bit because there happend some strange gaps while cropping. It’s just a quick try!

      258A5CF9-B12E-45C9-8F14-A2CB5FF9CACD.jpeg

      Instagram: saciia_

      demotlj 1 Reply Last reply Reply Quote 0
      • demotlj
        demotlj SVS OG @saciia_ last edited by

        @saciia_ I see what you mean. I was saving that left bottom corner for text but there is a lot of empty space in the middle right now. Maybe the text should go somewhere else.

        saciia_ 1 Reply Last reply Reply Quote 0
        • saciia_
          saciia_ @demotlj last edited by

          @demotlj Ah, I see! I think your composition is great! It’s just tiny bits that need to be moved. On the bottom there is the empty space, like a line and if you have text to the left I feel there would sit a lot of weight together with the horses and it could feel squeezed. I made a quick change to show you how I maybe would do it. I gave more space on the bottom and moved the butterfly more down and closer. I hope it helps you! 🙂

          F7BB2C29-B190-482C-B288-C1331FED0F06.jpeg

          Instagram: saciia_

          demotlj 1 Reply Last reply Reply Quote 0
          • demotlj
            demotlj SVS OG @saciia_ last edited by demotlj

            @saciia_ This is really helpful because I think you are right about the text making it
            left bottom heavy even with your adjustments. In fact, I'm re-thinking whether my third thumbnail is more balanced. I'm going to have to mull this over some more. 🙂

            1 Reply Last reply Reply Quote 1
            • andersoncarman
              andersoncarman last edited by

              My problem overall is the scale. I can't tell how big the butterfly is. Is it a huge butterfly? or is it a small butterfly right up next to the camera? If it is the second, then the butterfly isn't even close to the race. this is why I would lean towards the second composition as I feel this is your best bet at creating a composition that sells the scale of the butterfly next to the horses. Also, I love your gesture drawings of the horses best in option 2 as well.

              I love this idea. It is funny and clever. I look forward to seeing how you finish this!

              Cheers,
              Anderson Carman

              https://www.andersoncarman.com/
              https://www.instagram.com/andersoncarman/

              1 Reply Last reply Reply Quote 1
              • demotlj
                demotlj SVS OG last edited by demotlj

                Here’s another in which I just cut and paste the butterfly and horses into a whole new background to try to get a feel of the composition. It deals with space issues better but not necessarily with the scale issues that @andersoncarman notes and that also bug me still.

                9F217A38-962B-42B0-8951-CEEED81567C3.jpeg

                Just for comparison, here is the quick modification I had done to #2 to try to see if I could make it look like the butterfly wasn’t being trampled.

                43F88837-53A9-4925-B943-6018F35E5CBC.jpeg

                StudioLooong andersoncarman 2 Replies Last reply Reply Quote 0
                • StudioLooong
                  StudioLooong @demotlj last edited by

                  @demotlj have you considered a side view of the race from a lower angle? so kind of like a combo of those two sketches? Instead of the butterfly having won by a long shot and already flying off maybe he's barely pulled ahead of the horses and is just crossing the finish line, kind of flying at the horses knee height. That would give you a better sense of scale.

                  Taylor Woolley
                  (Formerly Taylor Ackerman / StudioLooong)


                  Website: www.woolleystories.com
                  Instagram: https://www.instagram.com/woolleystories/

                  demotlj 1 Reply Last reply Reply Quote 0
                  • demotlj
                    demotlj SVS OG @StudioLooong last edited by

                    @StudioLooong

                    I did consider that but the problem is that the size differential is so great that if I put them on any plane that gives a true comparison, either you can’t see the butterfly or you can’t see the horses. Here is one of the quick thumbnails I did which shows the problem and I even fudged the butterfly’s size. In real life it would be half that size. If I zoom in more on the butterfly so that you can see his face, the only thing in the scene will be the butterfly and the horse’s legs.

                    This is a good puzzle for me, trying to figure out how to cope with vastly different sized characters. It makes me appreciate illustrators of Gulliver’s Travels.

                    D9304335-72BE-4955-9377-50BB6495B6C8.jpeg

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                    • djly
                      djly last edited by

                      @demotlj - could one of the spectators be holding binoculars and you can then see the butterfly? Just a thought :-).

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                      • demotlj
                        demotlj SVS OG last edited by

                        I did some more research on characters of vastly different size and for those who are interested, here are the strategies often used:

                        1. Both characters in the frame but the larger one is detailed and the smaller one is too small for detail (Gulliver's Travels)

                        Screen Shot 2019-03-13 at 7.36.15 AM.png

                        Here, the emphasis of the illustration is either on the action of the larger figure or to show the size differential

                        1. The smaller character is detailed and the larger character is seen only in part (Gulliver's Travels)

                        Screen Shot 2019-03-13 at 7.36.23 AM.png

                        In these, the emphasis in on the smaller creature's actions and the larger creature is implied through the partial view

                        1. The smaller creature is the focal point while the larger creature is seen at a distance (Beatrix Potter)

                        Screen Shot 2019-03-13 at 7.36.51 AM.png

                        This allows the smaller creature to be the primary focus of the piece while the larger creatures act as back drop to the scene.

                        Since the focus in my story is on the smaller creature not the larger one, and the story isn't about the size differential directly but about the race, I think #3 is the best strategy which my thumbnails have done more or less. I don't know if this changes anything for me but it was interesting research!

                        1 Reply Last reply Reply Quote 3
                        • andersoncarman
                          andersoncarman @demotlj last edited by

                          @demotlj I really like the thumbnail in red, I think it is getting there. I think you need to keep pushing this composition. I love the reference you brought up of the mouse because we get a sense of scale from the fact that the mouse overlaps the horizon that the cows are on. I think you can use this same principle in your drawing by having the butterfly directly covering up some of the horses. right now it's covering some of their feet and I think that is because you dont want to cover the horses, but remember, Skippy is your focal point (That's my assumption) and if he covers horses thats ok!

                          Cheers,
                          Anderson Carman

                          https://www.andersoncarman.com/
                          https://www.instagram.com/andersoncarman/

                          demotlj 1 Reply Last reply Reply Quote 0
                          • demotlj
                            demotlj SVS OG @andersoncarman last edited by

                            @andersoncarman Good point about Skippy covering the horses. I tried developing the other scene but am not liking the way it is going and keep coming back to the thumbnail in red (the horses thundering down the track). I think I'll switch to playing with that one some more now and see where it goes.

                            This morning before work, I was so tired of trying to figure this out that I drew this:
                            Screen Shot 2019-03-14 at 10.54.43 AM.png

                            I'll get serious again about it tonight though. Thanks for your encouragement.

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                            • demotlj
                              demotlj SVS OG last edited by

                              After lots of failed sketches, here is the design I am going with. On to clean up and inking.
                              7C175E67-B10F-44E6-9547-5FBF6BF03F1F.jpeg

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                              • demotlj
                                demotlj SVS OG last edited by demotlj

                                Sketch 2.0. Nest, tracing it onto watercolor paper to ink. (The butterfly is gray just so I could move him around on a separate layer and he would cover the horses.)
                                6244DF57-ABE4-4153-BDD4-6D1B542FDBD2.jpeg

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                                • demotlj
                                  demotlj SVS OG last edited by demotlj

                                  This post is deleted!
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                                  • demotlj
                                    demotlj SVS OG last edited by

                                    I did a quick line and wash of part of the detail of my final drawing to see how it would look. I’m using a dip pen which is new to me, and I can see some things in the drawing and inking that I need to change but in general, I like the look.
                                    2771F7AA-D500-44F5-AC7C-23125B016C7A.jpeg

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                                    • Whitney Simms
                                      Whitney Simms SVS OG last edited by

                                      Looks great! I like the feel of the racers. Can’t wait to see it!

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                                      • demotlj
                                        demotlj SVS OG last edited by demotlj

                                        First inking pass. (Why is it you only see all of the tangents after you've posted something?!)

                                        9B188F9C-E3CE-4339-BB14-D56470388BFA.jpeg

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                                        • demotlj
                                          demotlj SVS OG last edited by demotlj

                                          First watercolor wash. I’ll darken the values and add details in the next pass. I’m trying to do this all traditionally but I already see some things I’ll have to correct in Procreate. Sigh.

                                          C6069F4E-7F9E-4751-9FB7-E2BAF84779AB.jpeg

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                                          • demotlj
                                            demotlj SVS OG last edited by demotlj

                                            Here is my final (?) piece but I'm trying to decide on cropping. The first is the full thung and the second is cropped. Any thoughts?
                                            AC3FB497-FCC8-464C-8B7C-121DB8F53630.jpeg 915143CF-9089-4B69-A702-7BC30D1F96D6.jpeg

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