SVS Virtual Studio MAY 2024

[Haley Browning]

It's probably obvious that I love Beatrix Potter and Chris Dunn.

[burvantill]

@Yiming-Wu fantastic!!

[Kona McDonald]

@ChloeGreenbergArt Wow! This illustration really pulls me in. Contrasting the cold colours of the exterior tree, clouds and bus with the warm building makes a welcoming focal point.

[Kona McDonald]

@Yiming-Wu So cool, love the style of rendering!

[Yiming Wu]

@burvantill @kona-mcdonald Thank you guys!

[ArtistErin]

@ChloeGreenbergArt Really nice work! Your perspective is so good. How did you create it? Curious what your medium is.

[kayleenartlover]

I am so excited for Wicked, the movie trailer looks magical

[gwendolynium]

Figure Drawing For Illustrators is working!

[jvartandillustration]

Happy Mer-May everyone! *cough *cough

MER-MAN, I mean.

[Kristen Lango]

ciao! I haven't been on the forums for a while now but I thought I'd jump on here and share a page from my sketchbook

Hope everyone is having a great spring full of creativity and learning!

[Reb Erlik]

A powerless Storm missing her family.

X-men'97 fanart

[Jeremy Ross]

It’s true, balloons do bring happiness

[Haley Browning]

@jvartandillustration Love the Zoolander reference! Haha!

[jvartandillustration]

@Haley-Browning Thanks!

[ksfabian]

[Haley Browning]

@ksfabian I loved this show! Great work!

[evka8D]

I feel like I haven't finished almost any drawing this month and it's almost the end but here are some character sketches I did yesterday

[ksfabian]

@Haley-Browning thanks!!! I’ve been wanting to do a few fun fan art projects and figured I’d start here.

[ksfabian]

@evka8D they look great!!

[Coreyartus]

I took a gelli plate monoprint class this last weekend and fell in love with the medium. I've done almost exclusively digital work for the last 5 years, but now I’m pondering different ways to make narrative images combining traditional and digital techniques.

I’m just at the beginning cusp of exploring, but I’m already layering my own digital illustration and other images over the top of the monoprints and creating new things, so we’ll see. It’s exhilarating to return to traditional work and contemplate a merging of the two. I’ve always loved the richly textured and open illustrations of Pamela Zagarenski, and now suddenly I have a tool that sort of opened a door for me… I’m really excited about how I can use these pieces and drawing out the story from within them. SO much to explore!