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    WIP-Silhouette/Foreground Watercolor

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    • kaitlinmakes
      kaitlinmakes @julian beresford last edited by

      @julian-beresford
      @NessIllustration
      haha - no, I agree - the black is terrible - but it's the only color marker that held up on the acetate. I think I'm going to go with a darker brown/green or brown/purple - But I haven't moved over to color studies yet.
      Is the suggestion to mostly chop off the bottom third and keep the foreground branches low in the picture frame?

      Thank you so much for chiming in, you two!

      https://www.instagram.com/kaitlin.kahn.art
      Https://www.kaitlinkahn.com

      NessIllustration 1 Reply Last reply Reply Quote 0
      • NessIllustration
        NessIllustration Pro @kaitlinmakes last edited by

        @kaitlinmakes I actually love the black! It's going a bit purple on the edges, it's beautiful 🙂 It's just a bit voluminous, hence the suggestion to chop off the bottom. With the new comp, the bird sits on the thirds of the picture in both directions so the focus is clearly on him@

        vanessastoilova.com
        instagram.com/vanessa.stoilova/

        Check out my Youtube channel for tips on how to start your career in illustration! www.youtube.com/c/ArtBusinesswithNess

        kaitlinmakes 1 Reply Last reply Reply Quote 0
        • kaitlinmakes
          kaitlinmakes @NessIllustration last edited by

          @nessillustration
          Brilliant - I got your drift now!

          https://www.instagram.com/kaitlin.kahn.art
          Https://www.kaitlinkahn.com

          1 Reply Last reply Reply Quote 0
          • burvantill
            burvantill Moderator last edited by

            I like the black mockups. The top one more than the bottom. If you keep the dark value but add dimension to the branches with low key value of light and shadow I think that would be wonderful. Bring some of the great colors from the top into the dark but using a darker value version of them. Very pretty. 👍👍👍

            Lisa Burvant
            www.lisaburvant.com
            Instagram & Twitter & SVS: @burvantill

            1 Reply Last reply Reply Quote 0
            • demotlj
              demotlj SVS OG last edited by demotlj

              Beautiful work - stunning colors and very evocative. The original is top heavy and I think the framing with the branches really helps that but I agree with @NessIllustration on the cropping.

              Laurie DeMott
              instagram.com/demotlj

              1 Reply Last reply Reply Quote 2
              • kaitlinmakes
                kaitlinmakes last edited by

                I just wanted to give a quick update and thank everyone for chiming in. For some reason foregrounds give me a straight up mental block and I just can't wrap my mind around them when it's time to doooo it.
                But I appreciate the feedback, the kind words and the encouragement.
                I did the whole scene just to see what it could look like - but I do agree with the cropping at the end. I tried to do subtle value changes and to express light, but it all quickly got away from me.
                Mahalo.
                1_1543136232562_IMG_4850.JPG 0_1543136232561_IMG_4849.JPG

                https://www.instagram.com/kaitlin.kahn.art
                Https://www.kaitlinkahn.com

                1 Reply Last reply Reply Quote 4
                • Nyrryl  Cadiz
                  Nyrryl Cadiz SVS OG last edited by

                  Hi! This might be too late but I actually like the first version without the trees and roots. The bottom half might look empty but that’s the piece’s way of remaining in balanced. It’s an inbalanced balance.

                  Portfolio: nyrrylcadiz.com
                  Instagram: https://www.instagram.com/nyrryl_cadiz/
                  YouTube: https://www.youtube.com/channel/UCbJCF1Im8ZO7hpGWTKOJMuA

                  1 Reply Last reply Reply Quote 2
                  • Nyrryl  Cadiz
                    Nyrryl Cadiz SVS OG last edited by

                    As for the new cropped piece though, I think it’s cropped a bit too high. It would be nice to see more of those gnarled roots but not all of them.

                    Portfolio: nyrrylcadiz.com
                    Instagram: https://www.instagram.com/nyrryl_cadiz/
                    YouTube: https://www.youtube.com/channel/UCbJCF1Im8ZO7hpGWTKOJMuA

                    1 Reply Last reply Reply Quote 1
                    • Whitney Simms
                      Whitney Simms SVS OG last edited by

                      I like the bottom one the best. It’s got the right amount of foreground. I also like the translucent nature of the new elements. It will look beautiful when you add it in watercolor.

                      1 Reply Last reply Reply Quote 0
                      • kaitlinmakes
                        kaitlinmakes last edited by

                        @nyrrylcadiz @Whitney-Simms
                        Haha well it is too late to pull back the foreground, but I didn't have the heart to take scissors to it yet! But I'm so glad you two spoke, because I felt uneasy about the crop.
                        I've always liked pieces with long bare bottoms, so I'll keep playing with that idea.

                        https://www.instagram.com/kaitlin.kahn.art
                        Https://www.kaitlinkahn.com

                        1 Reply Last reply Reply Quote 1
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