How to ink 2.0 Group Runthrough Week 2
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@burvantill Going for a little Starry Night, I see. I love it. I am having my kids do Zentangles in my High School classes right now and I think Van Gogh would have loved creating those.
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@MikeCañas good work! Looks like a pro job to me! I like how you increased the weight of the lines on the bottom even more than the drawing. I felt like I should have done the same but I was trying to stay true to the original. After seeing yours, I should have trusted my instincts. It is my practice sheet, right?
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@xin-li said in How to ink 2.0 Group Runthrough Week 2:
also lots of decision making process on when to use which line weight
I know what you mean! Up til now I've been focussing only on light and not thinking about proximity, weight, material, etc. It seems like there's a long list of rules and a longer list of when to break them
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@demotlj said in How to ink 2.0 Group Runthrough Week 2:
Am I just varying it too much or do you all think that some illustration styles should avoid fiddling with contour line style
Ligne Claire tends to not vary line weight at all
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@chrisaakins LOL! That's funny! that was completely unintentional. I had the paper folded so it would fit in my sketchbook and was just doing what i could in between bell rings.
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Today’s practice. Used a sharpie today. My Pentel brush pens are supposed to be in the mail tomorrow. I thought they were coming last week but it was just auto parts for my husband.
Lisa Burvant
www.lisaburvant.com
Instagram & Twitter & SVS: @burvantill -
Hello, I'm still sorting out what daily practice with pen-flavored tools looks like. So far, rather than picking a specific set of exercises, I write down a few ideas that I remember like: ways to fill space with tone; types of consistency - solo line (weight) vs grouped lines (weight/spacing/length/direction) ; types of variation - solo line (length/weight/layered) vs group line (weight/spacing/length/direction), and then experiment in semi-directed, semi-freeform fashion.
I'd be curious to hear how you folks here choose what to practice from day to day!
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@Geoffrey-Anderson I am working on line consistency with a brush pen. Making it thin when I want it thin and being able to transition to a heavy weight in a seamless line. I also just want more fine motor control. I grew up on rapidograph pens and using a brush pen is a newer experience.
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Keeping my inking excise interesting by copying my favorite characters. I am having a very inconsistent lines today, and I really miss the "undo" button.:smiling_face_with_open_mouth_closed_eyes: when coming to inking the facial feature.
Wish you guys have a happy drawing/painting day.
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@Geoffrey-Anderson said in How to ink 2.0 Group Runthrough Week 2:
I'd be curious to hear how you folks here choose what to practice from day to day!
That's one of the reasons I'm participating in the group run-through is to add to my repertoire of daily exercises. I've been doing plain ol' straight lines with a few circles for a loooooong time now and though it's helped immensely over the years I need a bit more. It's already paying off
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@xin-li said in How to ink 2.0 Group Runthrough Week 2:
I am having a very inconsistent lines today
I dunno, those look like some nice smooth curved lines to me.
Taking a lineless illustration and decoding it for ink is a great idea. I may do the same. It looks like it really helps to teach you how to suggest/imply those little plane changes and shapes.
Very cool
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@burvantill said in How to ink 2.0 Group Runthrough Week 2:
but it was just auto parts for my husband
I mean really, who needs autoparts? :smiling_face_with_open_mouth_closed_eyes:
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Here’s my homework and here are my excuses! I am trying to do all of these exercises with a dip pen because the Luddite in me really wants to learn it but I discovered that dip pens don’t like copy paper so I had to trace the template onto Bristol board and because the template is so light I had to just make up a lot of it.
What I learned from this:
- Dip pens require thicker paper
- If I press too hard on a dip pen for a thicker line it blots.
- I still need to practice long straight lines (see shadows)
- The Tombow correction tape works well (Yay!)
- I need to either learn how not to blot or how to soak up a blot.
Really good exercise!
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@Geoffrey-Anderson I am working on areas of most fine-motor difficulty drawing, using this inking course as a guide for daily practice. For me, the goals are to work toward consistent spacing, drawing anything that involves pressure without line “tremors”, trying to identify the sweet spot where things don’t completely break down but are just difficult enough to challenge moving forward.
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@xin-li great idea, love seeing how you translate these to ink!
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@Braden-Hallett easy for you to say
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@Erin-Cortese looks good to me! Varying line weight intentionally is not easy!
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Daily accountability, experimenting with which pen works best for intentional variation in line size: haven’t found one yet
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@Geoffrey-Anderson I did both solo lines and group lines practice (very similar to stuff Jake showed in the inking video) for the week one, and now I am focus on taking some of these practices into inking an actual drawing. To make it simpler for myself, I do not come up with a new drawing everyday, just take one of my favorite characters done by other artists (in any medium), trace it, and start inking.
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I'm trying to find a couple of inking gears beyond thickest and thinnest. Right now I have a car with gears 1 and 5. I need gears 2, 3 and 4 as well.
Also, really focussing on contour lines is really helping me to remember how basic shapes are suppose to be interacting with each other.
