Beginning Character Design Class
-
@AnnaDaviscourt I started this class almost as soon as it dropped, because my June contest entry had no character design whatsoever:
So along with adding buildings I will redo the characters in that one once I do the class assignments. There will be a pretty clear before and after, something I think will help me stick to this process and do it endlessly, like you recommended.
For the class assignment I decided to mix the shapes of flowers with the fashion of the French Revolution (the incroyables and merveilleuses, so a more rebellious version of the fashion we see in Jane Austen movies), and in the setting of a French garden. I hope you don't mind if I post my lineup for assignment 2:
Of course they aren't quite right! But I thought it would be a good idea to post a beginning stage like this as a statement to my future self not to worry about what the beginning looks like. See, future self? nothing disastrous happened because of your bad first draft.
-
I’m finished! Sort of lol. Maybe I’ll work em over a bit later, I think maybe paint them at some point.
Boy, did I ever learn a. Lot! Going to be doling a lot of this shape based character designs. I’m totally absolutely hooked now in a way I wasn’t before! I totally got lost in my last one, Maurice.
So,this was work before the class ....
I hadn’t even heard of a lineup before this class haha
Class work....
Maurice’s head is a bit bigger, but when I put him same size head, he was super teeny! Maybe I should shrink his head or just have him be super teeny.....of course Beast has a bigger than average head anyhoo......
Better view Of the characters perhaps?
-
@AnnaDaviscourt This was such a brilliant class! I hardly ever do the assignments but this one I just HAD to try! I cheated a little and only did 2 characters though
But the process was so great and I learned a lot, thank you!I chose Belle and the Beast to work on. Firstly, I struggled a lot just to get the already imprinted Disney characters out of my mind. It still shows in the final drawing, but I think it may be easier when doing original characters.
So anyway, to get me out of the box, I switched up their genders and use the same 17th-century French era. I also didn't name the characters right at the beginning to refrain from drawing out of memory. I just called them character #1 and #2 (just like Anna did in her demo).
The important thing was to keep referring back to the keywords with every stage.
I also struggled with making the beast look feminine but also beastly. But I think the eyes/hair and dress helped.
Final character sketch!
This was a super fun assignment and the step by step process really helped. I love drawing characters but I've never built it up like this before so I'm excited to experiment with proportions and exaggerations to create more appealing characters!
Any feedback on the steps or final sketch is welcome!
-
@xin-li Im really liking your character designs and the black and white sketches look great.
-
@Neha-Rawat omg! Belvin and Beastine they look so so adorable!! im so in love with your final character sketch! Its super fresh, funny and lovely at the same time!
-
Thank you @Freya-Chakour
It was fun to work on! -
I pray everything is well with everyone. This class is a joy throughout my day. I figured I’d go ahead and post my first two assignments (with upcoming updates). The era is 1600-1730 and I thought it would be cool to move the beast onto a pirate ship, make him a pirate bound to his ship, and changing the wolf like beast to a sea creature beast.
What will be challenging would be to avoid the image of Daley Jones from the pirates of the Caribbean.
The first image is assignment #1 reference gathering. I really dig these picture, however I recognize that I could run into a problem using concept art and not actual references.
The second image is assignment number #2. This was my first time actually doing this haha I know that’s
. It was a load of fun.
Update: assignment three proportion both head and body
Update: assignment #4 costume and character design.
I hope you enjoy. Thank you for allowing me to share my work. Much love.
-
Really enjoying the techniques in this class so far. Playing with proportions isn’t something I normally push far enough if I do it at all. My comfort zone is definitely medium head, large body, small legs
Here are some older characters I have drawn:
And here is my classwork so far:
-
I worked on the costumes and then took a break for a little while. The circled ones were my favorites.
Then I did a final lineup and practiced coloring with it.
This turned out a lot better than I was expecting and I feel like this method will definitely help me in the future. Especially the proportion and shape pushing!
-
@xin-li love the black and white with rainbow colors
looks so fun to play with -
@carolinebautista aaaah, the colors are so nice!
-
I Loved your classes!
Here are my little characters, I feel like I got too stiff when designing them. I guess when you try any new technique it takes a while to loosen up.
So cool to see how everyone's characters turned out so uniquely. -
hi Anna! Really fun assignment - thank you! I’ve learnt such a lot! Here’s some of the stages my characters went through.
Love seeing all the different characters on here - I'm particularly fond of Belvin and Beastine!
-
Hey all!
I'm just now getting around to posting my Beauty and the Beast character designs. @AnnaDaviscourt's class was super informative and I learned so much!
Everyone's versions are all so great! I wish we could have all taken the course together and watched the processes as we went.
I decided that Belle and the town folk were trolls and that she finds the beast (a human) grotesque.
You can see a few of my process drawings below and then the final version at the bottom! Left to Right - "Stony" (Gaston), Bella (Belle), Mr. Bast (the Beast), Ms. Lumin (Lumiere), Maric (Maurice) and Worthsworth (Cogsworth).-Josh
-
@AnnaDaviscourt I have a character design question regarding turnarounds, or 360 views of the characters. I just finished designing 5 characters for a book dummy project. And part of the project is to provide turnarounds of the characters for the potential client. My question is how do YOU approach this step? Do you even do turnarounds and if so do you draw them straight on or do you draw them dynamically showing more of the characters personality. I drew mine straight on and they are boring as jello without whip cream on top. I thought maybe next time I do this i would draw them more dynamically, but wasn't sure what the protocol was professionally. Can you shed some light on this?
Thank you,
Lisa
=)x
