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    Does this comic page work in black and white

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    • djly
      djly last edited by

      I always love your art style and the style shown in the comic is no different, really nice work and expressions!

      I think the main thing I'm seeing is perhaps not enough delineation between the foreground and background. In the first panel, for example, with the hand holding the gerbil it might be nice to have a bit bolder line work on the gerbil (or the line work, as is) and then a slightly thinner line work on the hand. Right now it is a bit difficult for me to read them as two separate objects.

      I hope this helps!

      1 Reply Last reply Reply Quote 1
      • braden H
        braden H last edited by

        Thanks everyone for the feedback πŸ™‚

        I'm gonna try and make it work in strictly black and white (I'm aiming super high for Jeff Smith as inspiration)

        I know it'll work in colour at this point, but I'd love to have a strictly BW version.

        I will fix the 'nooooooool' πŸ˜„

        You've given me some great stuff to think about! Thanks πŸ™‚

        ArtofAleksey ShannonB burvantill 3 Replies Last reply Reply Quote 0
        • ArtofAleksey
          ArtofAleksey @braden H last edited by

          @Braden-Hallett If ya wanna do black and white ONLY ya gotta add some more textures. Ive been looking at black and white art a lot lately because of my ink practice. As it is now it looks unfinished. If you’re not gonna use color, to prevent it from looking flat, you gotta either work with grays, monochrome, or dutone, or you gotta add more textures so theres some kinda contrast happening otherwise it looks very flat.

          instagram and twitter: @artofaleksey
          alekseyillustration.com

          braden H 1 Reply Last reply Reply Quote 2
          • ShannonB
            ShannonB @braden H last edited by

            @Braden-Hallett I was just going to say the "nooooool" thing is what stands out to me most but you've said you'll fix this so other than that nothing stood out to me as needing to be fixed although I think maybe a bit more detail like others have said could work really well for a strictly black and white version, or maybe make it monochrome with some slight grey shadows to bring it to a finish! Great job though, I don't know too much about comics but in my opinion it reads well and the characters are cute πŸ˜ƒ

            https://www.instagram.com/shannonberginart/

            1 Reply Last reply Reply Quote 1
            • braden H
              braden H @ArtofAleksey last edited by

              @Aleksey You're absolutely right πŸ™‚ Way back when I was still trying my webcomic in black and white I couldn't figure out texture and spot black. I fixed it by moving to colour πŸ˜„

              My tendency is to overdo it, so this'll be good practice!

              ArtofAleksey 1 Reply Last reply Reply Quote 1
              • ArtofAleksey
                ArtofAleksey @braden H last edited by

                @Braden-Hallett true. Im trying the texture thing myself im hoping it plays out ok for this months piece

                instagram and twitter: @artofaleksey
                alekseyillustration.com

                1 Reply Last reply Reply Quote 1
                • burvantill
                  burvantill Moderator @braden H last edited by

                  @Braden-Hallett I follow an artist on IG @aaronhorkey. He does a fine/commercial art of sorts but uses mainly ink. His halftones are AMAZING. It’s not the same style as yours by a long shot but it’s worth a look.
                  Here’s a screenshot
                  E559227B-7DA7-4CD5-95F2-F9C314D7C72C.jpeg

                  Lisa Burvant
                  www.lisaburvant.com
                  Instagram & Twitter & SVS: @burvantill

                  braden H 1 Reply Last reply Reply Quote 4
                  • braden H
                    braden H @burvantill last edited by

                    @burvantill Oh wow! That is some amazing feathering! Thank you! Always good to have reference and inspiration πŸ™‚

                    Susan Marks 1 Reply Last reply Reply Quote 2
                    • StudioLooong
                      StudioLooong last edited by

                      For me, the placement of the chapter number and title are kind of breaking up the sequence, it might just be that I'm not looking at it in the context of the other pages but it might flow better if you moved them to the beginning or end of this bit.

                      Taylor Woolley
                      (Formerly Taylor Ackerman / StudioLooong)


                      Website: www.woolleystories.com
                      Instagram: https://www.instagram.com/woolleystories/

                      1 Reply Last reply Reply Quote 2
                      • ShannonBiondi
                        ShannonBiondi SVS OG last edited by

                        Hey! I think most of what I was going to say has already been said, that is, maybe add more texture or consider using half tones? I think this would be particularly helpful in panels like the very first one. The 'nool' thing also pops out but you've already adressed that. πŸ™‚ Well done though. It looks really great!!

                        @abhainn_fionn

                        1 Reply Last reply Reply Quote 1
                        • Susan Marks
                          Susan Marks @braden H last edited by

                          @Braden-Hallett I like it!
                          In addition to what others have said and you have acknowledged-is Nicole the customer?
                          I’m reading her as staff. Or why would the character ask a customer when is lunch?

                          It took me some work to figure out how Nicole was the same as the character in the 4th Panel. I figured it out by putting together the helmet. Perhaps you’re I could make that connection a little easier by making some aspect of her clothing visually the same (with texture! Rather than color).

                          braden H 1 Reply Last reply Reply Quote 0
                          • braden H
                            braden H @Susan Marks last edited by

                            @Susan-Marks I think the confusion about 'who is customer' comes from lack of context. The next 10 pages sort things out πŸ™‚

                            1 Reply Last reply Reply Quote 1
                            • braden H
                              braden H last edited by

                              Thanks very much for the feedback, everyone! Regardless of whether I try and provide a BW version along with the colour, trying to really sort things out in BW is a great exercise (and really takes planning, apparently :smiling_face_with_open_mouth_closed_eyes: )

                              Here's the black and white with more spot black and texture (gonna do some Jeff Smith master studies over the next few days) and a colour version.

                              Do you think providing a BW version along with the colour is a bad idea?

                              alt text

                              alt text

                              burvantill JerrySketchyArt ShannonB 3 Replies Last reply Reply Quote 3
                              • theprairiefox
                                theprairiefox last edited by

                                @Braden-Hallett I have been working through this problem as well. It really came up to me as we were working class to figure out values. I would like most of my finish work to be done in monochrome. But I still need to work in value if I want a piece to read well.

                                That means, you need to add texture and/or shading via ink...

                                What I was doing in class was using the values studies in thumbnails and the rough process and then figured out equivalent in B&W. Which may be textures or half-tones or crosshatching as needed. You get a little of this in your 3rd panel as you have the wood textured, but you could do so much more to get the definition and get everything to read.

                                For example: the last panel I just read the hair and the angry bubble. I can't really see what is going on with the desk. If the person is important behind the desk maybe make her dark?

                                I think you could use the suspenders as a mid-tone with a texture to provide a quick read on your main character as well.

                                Just some thoughts, I love your work. It is always so much fun.

                                -The Prairie Fox
                                https://www.instagram.com/theprairiefox
                                https://www.theprairiefox.com

                                braden H 1 Reply Last reply Reply Quote 1
                                • burvantill
                                  burvantill Moderator @braden H last edited by

                                  @Braden-Hallett the black/white reads much better with the new changes. πŸ‘

                                  Lisa Burvant
                                  www.lisaburvant.com
                                  Instagram & Twitter & SVS: @burvantill

                                  1 Reply Last reply Reply Quote 2
                                  • JerrySketchyArt
                                    JerrySketchyArt @braden H last edited by

                                    @Braden-Hallett Much easier to read. Good job adjusting!

                                    1 Reply Last reply Reply Quote 1
                                    • avfarrar
                                      avfarrar last edited by avfarrar

                                      Oh, yeah. Making the castle lighter really helps the image clarity. "Nicooooole" is also easier to understand. This page looks great!

                                      There is beauty in life!

                                      WWW.AVFILLUSTRATION.COM
                                      www.instagram.com/avfillustration/

                                      1 Reply Last reply Reply Quote 2
                                      • ArtofAleksey
                                        ArtofAleksey last edited by

                                        Yeah this black and white works a lot better, but honestly I think your color helps this stand out way more. Is there a reason why you wanted to do black and white and no color?

                                        instagram and twitter: @artofaleksey
                                        alekseyillustration.com

                                        braden H 1 Reply Last reply Reply Quote 1
                                        • braden H
                                          braden H @theprairiefox last edited by

                                          @theprairiefox Awesome perspective! I'm thinking about trying to use the value study I do at the comp stage as guide for spot blacks like you said. I may try adding a simple midtone as many have suggested.

                                          Thanks for the feedback πŸ™‚

                                          1 Reply Last reply Reply Quote 0
                                          • braden H
                                            braden H @ArtofAleksey last edited by

                                            @Aleksey I just wanna show a black and white option for the sake of having a black and white option. Just to say 'hey, I work in colour but I can also work in black and white'. I'm planning on showing both, not just one or the other πŸ™‚

                                            1 Reply Last reply Reply Quote 2
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