How to do awesome illustrations EVERY time!

[demotlj]

I am very excited you are doing this channel and hope you will included some videos on watercolor because I loved your SVS videos on that. I would also like to see a video (or hear a podcast from all three of you) about how to exercise and develop your imagination. I have difficulty coming up with 5 thumbnails and am not sure I’m creative enough to come up with 50. Is there a way to strengthen imagination just as one strengthens other skills?

[Lee White]

@demotlj I'll be doing some watercolor demos as well as acrylic and oil.

[ArtofAleksey]

@Lee-White Thank you for doing this video not only was it extremely helpful but it was very thorough and also to the point. No circling around or digressions.
Your personality is very empathetic with artist struggles and you clearly know what you’re talking about. You should make more of these.

I’m starting to think this might be why I sometimes lose focus on what the topic was in 3 point perspective. Because I like order too much? Haha

Thanks so much for breaking things down I have had so many times where I am not enjoying the process as much, and I think about that but can never understand why I sometimes do but sometimes dont. Hopefully this will be what makes my art way more fun consistently.

[burvantill]

@Lee-White said in How to do awesome illustrations EVERY time!:

you still have that great 1st thumbnail

I’m glad you mentioned this, I was going to ask if you ever decide the early stuff is better when you are done. Do you ever have moments of indecision when you can’t decide if something is better or just different?

[Amanda Jean]

Definitely the reason I have a plethora of unfinished projects and only a handful of finished ones. I would just skim steps 1-3, completely skip step 4 and go right to 5 and 6. I don't consider myself great at planning or management, but I am an absolute pro at succumbing to impulses. I am only now teaching myself to go through these steps in my own fashion, and really enjoy them as they happen.

It used to be for the instant gratification of 'making something cool', no thought, just trying to get the images in my head onto paper or screen and say "hey internet, look what I did! Justify my existence by telling me I'm good!"

I pretty much hated everything I did and thought I was never good enough. It became debilitating actually. The link between process and result didn't click for me. It's been a complex mix of creativity VS self worth and a serious lesson in self perception.

Now that I've learned to slow down and think more about the process, I find I enjoy it even more. I look forward to the end result without expecting it to be exactly as I see it (because vision and ability never quite match up anyway) and without judging myself too harshly. The perfectionist monster is almost defeated!

Seeing your process is helpful. And as for your list, well it's definitely practical and I really could have used the understanding it provides years ago. But better late than never, right?

Great work on the video!

[Lee White]

@burvantill I'll be going over this in another video : )

[kmakowsky]

@Amanda-Jean I relate so strongly to the perfectionist monster problem!! It's getting a little easier each time I make something, but can still trip me up in the color study/final render stage. Giving myself to just draw dumb or pointless stuff in my sketchbook has also been helpful. And taking a looong social media break as I learn this work process.

[kmakowsky]

@Lee-White I keep coming across this process from various sources and I feel like I'm finally beginning to get the hang of it, but I really like how simplified your version is. And how you have to grade yourself as you go by using a check or an X! It forces you to examine your process and where you might be doing things the lazy way. But the hardest part of this whole thing by far is the 50 thumbnails part.. that's going to be a big challenge for me.

[A Former User]

@Lee-White Awesome Lee. I can't wait to check it out! Thank you! -T

[Coley]

Excellent video. PDF saved and printed and up on the wall. Subscribed to the channel. Thank you!

[Kat]

This is an excellent video! I really appreciated seeing examples of what each step looks like. Now I can clearly see how much of the process I have been skipping. Didn’t realize it before. Super helpful, Lee. This really is great for someone like me who is trying to learn this on my own.

[sigross]

@Lee-White I managed 48 thumbnails on poking a collapsed drunk Cyclops in the eye with a shard of his shepherd's staff.
Buzzing. Top tips.

[ArtofAleksey]

@sigross oh good you did one where they climb on top of the Cyclops

[xin li]

@sigross super cool. keep the good work.

[A Former User]

@Lee-White I've just subscribed! Great advice and I'm looking forward to your next video!

[Heather Boyd]

@sigross

I like 14,15,39 and 41 and I like seeing his eyeball lols

[sigross]

@Aleksey yes I thought maybe they could run up his leg with a low camera angle. I like doing this many as it gives me more room to explore. Gets the visual cortex pumping.

[sigross]

@Heather-Boyd yes I like 39 the most as the cyclops looks like he's in a stupor, kind of slumped with his head dipping. 14 and 15 were the ski jump idea and launching themselves off the edge with a bit of dexterity. I think I'll draw him with a droopy eye as he'll have had a skinful of juicy wine.

[Lee White]

@sigross very nice! I'll be doing a video on how to pick the right thumbnail soon. Not sure if anyone struggles with that, but I have some theories on it. : )

[Elinore Eaton]

@Lee-White Really looking forward to that video! Sometimes, the more I thumbnail, the more overwhelmed I get with options.