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    TRASHED - Bologna Children Book Fair Project

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    • lmrush
      lmrush Pro SVS OG last edited by

      I love 3. I am immediately drawn to the eye. I wanted to ask though...on the Bologna website they said the fair is every two years next one 2020. Did I read that wrong? I thought they were yearly as well.

      Lisa Rush
      www.lisarushgallery.com
      www.facebook.com/ArtbyLisaRush/
      www.instagram.com/lisarush11/

      smceccarelli 1 Reply Last reply Reply Quote 0
      • smceccarelli
        smceccarelli Pro SVS OG @lmrush last edited by smceccarelli

        @lmrush The BCBF takes place every year. The dates for 2019 are already out (1-4 April 2019) and the deadline for the exhibition is October 5th 2018.
        Maybe the confusion comes from the fact that SCBWI has a booth there only every two years - hence the next time SCBWI would be represented at the fair is 2020. Maybe you´ve read the dates on the SCBWI webpage?

        The link to the fair website is:
        http://www.bookfair.bolognafiere.it/la-fiera/bcbf-2019-le-nuove-date/8680.html

        Though the server is down at this very moment....

        lmrush 1 Reply Last reply Reply Quote 1
        • lmrush
          lmrush Pro SVS OG @smceccarelli last edited by

          That makes perfect sense! Yes I went through the Scbwi site. Thank you so much @smceccarelli

          Lisa Rush
          www.lisarushgallery.com
          www.facebook.com/ArtbyLisaRush/
          www.instagram.com/lisarush11/

          Annie Barnett 1 Reply Last reply Reply Quote 0
          • Annie Barnett
            Annie Barnett @lmrush last edited by

            @lmrush @smceccarelli I'm not sure if this applies to the years SCBWI aren't presenting, but it seems like in the past, SCBWI members had an extended deadline for submissions to the BCBF too. https://bologna.scbwi.org/scbwi-bologna-book-fair-2018/bologna-childrens-book-fair-illustrators-exhibition/ Might be worth looking into.

            smceccarelli 1 Reply Last reply Reply Quote 0
            • smceccarelli
              smceccarelli Pro SVS OG @Annie Barnett last edited by

              @annie-barnett That's correct - I had forgotten that! I'll check if it applies also in the years where SCBWI is not represented. Seems likely.

              1 Reply Last reply Reply Quote 1
              • SarahLuAnn
                SarahLuAnn last edited by

                I love the teal/brick red color scheme you have going on here. Reminds me of Victo Ngai and Yuko Shimizu. I'm excited to see how you incorporate the collage elements. 🙂

                sarahluann.com

                1 Reply Last reply Reply Quote 2
                • smceccarelli
                  smceccarelli Pro SVS OG last edited by smceccarelli

                  First one down!
                  Acrylic gel prints, found trash objects and one of my favorite Kyle's brushes: Wamazing Fat Rough

                  What do you think? It certainly was a lot of fun and very liberating, but as usual, new experiment always leave me full of doubts...

                  @Lee-White I´d love to have your opinion - you´re the voice that pushes me to experiment 😉

                  0_1536153991004_FISH_SWARM_SMALL.jpg

                  Elizabeth Rose Kevin Longueil Adriana Bergstrom 3 Replies Last reply Reply Quote 22
                  • smceccarelli
                    smceccarelli Pro SVS OG last edited by

                    No 2!

                    0_1536268106916_TURTLES_MAZE_SMALL.jpg

                    Randy Smith 1 Reply Last reply Reply Quote 15
                    • Elizabeth Rose
                      Elizabeth Rose @smceccarelli last edited by

                      @smceccarelli Wow! I'm impressed how cohesive the found objects and painting objects go together! Keep rockin it!

                      https://elizabethrosehoffman.com/
                      https://www.instagram.com/elizabethrosehoffmanart/
                      https://linktr.ee/elizabethrosehoffman

                      1 Reply Last reply Reply Quote 1
                      • burvantill
                        burvantill Moderator last edited by

                        These are so good! I DESPISE litter so looking at these makes me sad, which is a proper emotion for this topic. So bravo!! 👏👍👍👍

                        Lisa Burvant
                        www.lisaburvant.com
                        Instagram & Twitter & SVS: @burvantill

                        1 Reply Last reply Reply Quote 2
                        • Randy Smith
                          Randy Smith @smceccarelli last edited by

                          @smceccarelli Great work as usual. You're an awesome inspiration to me at a time when I am stuck in a seemingly inescapable rut. Thanks and good luck with your entry.

                          1 Reply Last reply Reply Quote 1
                          • chrisaakins
                            chrisaakins last edited by

                            These look great! I love mixed media.

                            Chris Akins
                            www.chrisakinsart.com
                            www.instagram.com/chrisakinsart/

                            1 Reply Last reply Reply Quote 1
                            • julian beresford
                              julian beresford SVS OG last edited by

                              @smceccarelli I'm really liking these illustrations especially no2

                              Julian Beresford - Freelance Illustrator
                              www. jgberesford.com
                              https://www.instagram.com/jbfantasticalemporium/

                              1 Reply Last reply Reply Quote 1
                              • Kevin Longueil
                                Kevin Longueil SVS OG @smceccarelli last edited by Kevin Longueil

                                @smceccarelli Hey Simona these are looking great - there is one issue for me that i am seeing in the finals - it looks to me that in your color comps the contrast is working well and my eye can travel around the images in a pleasing manner - in the final versions the values are very close to one another with no real "light on dark" or "dark on light" to separate each part of the composition so it is hard to find a path through the image..if that makes sense? I did a couple quick and terrible thumbnail sketches to try to separate some of the elements(i put them below the original)...these are not good but i decided to share them anyways 🙂 I think that your image 2 may have the same issue - when i shrink them down very small i cannot discern the what the image is - once again i think the color comps dealt well with contrast and composition .... i hope this is not annoying feedback...feel free to ignore of course...really nice pieces!

                                0_1536438742456_1536153996521-fish_swarm_small.jpg

                                0_1536438780383_postage stamp.jpeg

                                Portfolio: kevinlongueil.com
                                https://www.instagram.com/kevinlongueil/

                                smceccarelli 1 Reply Last reply Reply Quote 4
                                • smceccarelli
                                  smceccarelli Pro SVS OG @Kevin Longueil last edited by

                                  @kevin-longueil Thank you a ton Kevin for pushing me to reconsider the contrast and depth! I will definitely take a go at separating foreground-midground and background elements. I hid the focus element by design - I wanted it to be a second read ... but maybe it's not a successful design choice, after all.

                                  1 Reply Last reply Reply Quote 1
                                  • Adriana Bergstrom
                                    Adriana Bergstrom @smceccarelli last edited by

                                    @smceccarelli Love the collage, though the Gut & Gunstig label pops out (could be because I lived in Germany for 7 years), but I suspect also because of the red being so pure. Perhaps consider obscuring both this red and the Nutrixxion label since they both are their pure color and have no obscurity from ocean visibility or sun fading.

                                    Also, can you tell me more about acrylic gel printing?! I was a printmaker and have not heard of this technique. Is it a way to transfer an image? What did I miss?!

                                    www.adrianabergstrom.com
                                    IG/Twi/Pin/etc @adriprints

                                    smceccarelli 1 Reply Last reply Reply Quote 1
                                    • artwithashley
                                      artwithashley last edited by

                                      @smceccarelli - I'm really loving the emotion the 2nd image evokes. Haunting, sad, and desolate. (Color is on point) It's almost hard to look at (in a good way.) It did take me a minute to find the turtle, so if that is what you were going for, thumbs up! I think having similar pops of the same orange as the turtles
                                      shell, draws your eye to many areas of the image.

                                      1 Reply Last reply Reply Quote 1
                                      • KathrynAdebayo
                                        KathrynAdebayo last edited by

                                        These images are so powerful to me. Their theme seems to be deepened by the way that the animals don't instantly stand out. I was so moved by them that I showed them to my husband. The way they are now seems very impactful and affects the mind in the way that the dizzying amounts of trash in the oceans do in reality. That's my reaction anyway. Thanks so much for sharing these...

                                        1 Reply Last reply Reply Quote 3
                                        • smceccarelli
                                          smceccarelli Pro SVS OG @Adriana Bergstrom last edited by smceccarelli

                                          @adriana-bergstrom Good points and yes - I think I should increase the “underwater” feeling of some of the elements and those two will be the first candidates.
                                          This was my first experience in printing and I dared it because I only needed it for the backgrounds. You basically make a large batch of flavorless jelly-o (but you use more gelatine to water than you would normally) and make it settle in plate form (I used an oven pan). Then you can roll any water-based color on it and press a sheet of paper on top to transfer it. Because gelatine is soft, you don´t need tools to make the paper lift the color properly.
                                          That is....the theory - there are a lot of tutorials and it seems to produce good results. My gelatine plate, however, kept breaking (I probably didn’t make it firm enough) and become unusable very fast. So I dag out a piece of foam core board from my stock and went on with that one. The color transferred well and I got the effect I wanted (randomly mixing stripes of colors with lots of texture). So maybe I should say “acrylic printing with gelatine and random art materials” rather than “acrylic gelatine printing” ;-))

                                          MOO 1 Reply Last reply Reply Quote 3
                                          • smceccarelli
                                            smceccarelli Pro SVS OG last edited by

                                            No 3 - not quite finished yet - there are a couple of ellipses to correct and maybe some color balance....

                                            0_1536872080397_MARCH_HERMIT_CRABS_SMALL.jpg

                                            Kevin Longueil Nyrryl  Cadiz 2 Replies Last reply Reply Quote 10
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